I kind of liked the idea to get one camera system and use it throughout the career. Even expensive systems like medium format are quite okay that way. I'm not really interested jumping between "current best" every 3-4 years. Unfortunately I bet on the wrong horse and the MF industry seems to have chosen to slowly kill the tech cam genre, but it hasn't increased my want for other cameras. Shooting large format film may be the most suitable future option for me, which has actually caused me to be less interested in live view and other digital convenience features as it makes me less prepared to shoot film.
Seems a bit hard on the self. Thee has always been a pull in photog between the slow and steady, high quality, view camera system and the more flexible, portable, faster way of working. MF film sat in-between and for some of us, offered the best of both. Up to 20" prints, the 6x6 neg was pretty darn good. Not quite like 4x5, but vastly better than 35mm.
The MFDB offered (suggested?) a new middle ground, where one could get the quality of 4x5 (or better) in a smaller package, with all sorts of other advantages. Yet the pressure to go faster yet, with CMOS etc., is still there from the "younger" market, and like before, the view camera and its current iteration, the tech camera, are pushed a bit more still to the background.
This has been going on for some time, in fits and spurts. I'd suggest you didn't bet on the wrong horse, but rather, you have eeked out a new way for say 10 years, which is great. At some point, the approach might need a recalibration, but whats to say you just enjoy it for what it is?
Yes, large format film is looking attractive - its easy, cheaper, and the quality is there, just not the speed... I shot a bit with a view camera and film and boy, is it easy and relaxing! But hard to give up the digital.