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Author Topic: Recent Works  (Read 827997 times)

snickgrr

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« Reply #460 on: March 21, 2008, 06:39:41 pm »

I do not see that on the Kapture Group website..Do you have a link?
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jonstewart

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« Reply #461 on: March 21, 2008, 06:43:13 pm »

Quote
Those of you who use the Hartblei, what can you say concerning it's sharpness?  How about a comparison to Mamiya 645 lenses?  I shoot a lot of studio automotive subjects and crispness is necessary.  Any info would be helpful.  To keep the subject on the thread, here's a couple of recent shots.  Thanks, Jim
[a href=\"index.php?act=findpost&pid=182536\"][{POST_SNAPBACK}][/a]

The Hartblei (my copy at least) is not quite as sharp as the 45mm Sekor C Mamiya I have. When you apply movements, it just goes downhill from there. I couldn't honestly recommend it, and keep meaning to shift mine on ebay. (Pardon the pun!)

In terms of design it's excellent, just a pity the sharpness doesn't match up.

DISCLAIMER: Other may not share my opinion!

Jon
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haefnerphoto

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« Reply #462 on: March 21, 2008, 09:07:44 pm »

Jon, I appreciate your insights.  Free1000 was kind enough to shoot a comparison between his Hartblei, a 47mm Schneider (I think) and a Canon 24 T/S and send it along to me.  Each were shifted 6mm and they all looked acceptable to me.  I believe it's Chris that has them for rent and I think that would be the best way for me to check the quality.  I really want the tilt capability for my automotive work, shooting across dashboards, etc and probably will have that opportunity in a couple of weeks.  Jim
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Streetwise

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« Reply #463 on: March 21, 2008, 10:22:34 pm »

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I do not see that on the Kapture Group website..Do you have a link?
[{POST_SNAPBACK}][/a]

[a href=\"http://www.captureintegration.com/2008/03/04/multiple-exposures/]http://www.captureintegration.com/2008/03/...iple-exposures/[/url]

Chris,

Sounds nice! Does it work with Leaf    ?

Dave
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James R Russell

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« Reply #464 on: March 22, 2008, 02:02:17 am »

JR
[span style=\'font-size:8pt;line-height:100%\']
All images ©2008 James Russell, Ann Rutherford, Russell Rutherford Group.
reproduction without written consent is prohibited by law.[/span]
« Last Edit: April 13, 2008, 02:14:32 am by James R Russell »
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Frank Doorhof

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« Reply #465 on: March 22, 2008, 03:12:22 am »

My kid will go crazy when he sees the Ronaldinho shots
Great work Russel.
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free1000

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« Reply #466 on: March 22, 2008, 04:10:40 am »

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Jon, I appreciate your insights.  Free1000 was kind enough to shoot a comparison between his Hartblei, a 47mm Schneider (I think) and a Canon 24 T/S and send it along to me.  Each were shifted 6mm and they all looked acceptable to me.  I believe it's Chris that has them for rent and I think that would be the best way for me to check the quality.  I really want the tilt capability for my automotive work, shooting across dashboards, etc and probably will have that opportunity in a couple of weeks.  Jim
[a href=\"index.php?act=findpost&pid=183367\"][{POST_SNAPBACK}][/a]

Yes best to rent and test.  Keep in mind that there is some barrel distortion with the Hartblei that didn't appear obvious with my test shot. Its correctible in photoshop though, and for the subject matter where I want to use it, its acceptable.
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condit79

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« Reply #467 on: March 22, 2008, 10:11:50 am »

So that´s why ronaldinho hasn´t been playing much.  The shot in the stadium is pretty fantastic.
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Morgan_Moore

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« Reply #468 on: March 22, 2008, 10:17:27 am »

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[a href=\"index.php?act=findpost&pid=183418\"][{POST_SNAPBACK}][/a]

Can I ask how you got that in focus !

Super bright modelling lights ?

Mark on the ground ?

Demon eyesight ?

Loads of tries ?

it was light really ?

Small aperture (obvioulsy)

Or what ?

Obviouly thats the sort of thing that MF AF wont handle

is there a fill light or just the key lights

S
« Last Edit: March 22, 2008, 10:19:19 am by Morgan_Moore »
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Sam Morgan Moore Bristol UK

Jason F

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« Reply #469 on: March 22, 2008, 11:07:20 am »

Morgan-

I can't claim to speak for James, but I feel pretty sure that this image is a composite of at least 4 if not more captures.

1. For the grass/ground.
2. Player & ball (or perhaps they're seperate captures as well)
3. Stadium seats
4. Stadium lighting (which may be one capture or may be several)


The biggest giveaway that it's a composite: look at the players foot on the ground- there are some dof discrepencies I feel- between the player, the grass, and the stadium seats.

Oh, and the player is most definitely lit artificially but he did a good job of making it look natural.

It's a very nice shot though, I like it a lot. Good job James!

Quote
Can I ask how you got that in focus !

Super bright modelling lights ?

Mark on the ground ?

Demon eyesight ?

Loads of tries ?

it was light really ?

Small aperture (obvioulsy)

Or what ?

Obviouly thats the sort of thing that MF AF wont handle

is there a fill light or just the key lights

S
[a href=\"index.php?act=findpost&pid=183480\"][{POST_SNAPBACK}][/a]
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James R Russell

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« Reply #470 on: March 22, 2008, 11:11:06 am »

Quote
Can I ask how you got that in focus !

Super bright modelling lights ?

Mark on the ground ?

Demon eyesight ?

Loads of tries ?

it was light really ?

Small aperture (obvioulsy)

Or what ?

Obviouly thats the sort of thing that MF AF wont handle

is there a fill light or just the key lights

S
[a href=\"index.php?act=findpost&pid=183480\"][{POST_SNAPBACK}][/a]


Demon eyesight and extraordinary talent.  

Actually he was shot in a Barcelona studio on black with lighting to somewhat mimic stadium light direction and the backgrounds were shot in the Barcelona Stadium during a match prior to the studio session.

The lighting on the main image is 6 lights, profotos, two octobanks and two beauty dishes placed to the side and way behind him and the fill is a series of 4x8 b-board, and a 12x vertical silk with one beauty dish on very low power flight slight fill.

The main image was shot with a P-30+ and Contax on continuous focus and as long as the Contax has some contrast it track focuses very well, always has.

Obviously he's not moving at the intensity he does at the stadium, but even in a studio session he does move very quickly.

For this shoot there were hundreds of people involved, from managers, clients, crew and the pressure and time is intense, so we ran two sessions one on white, one on black and alternated.

Every session I started with medium format to cover the main imagery, then for smaller or faster images used the Nikon D-3 and the Leica, though the hero images were all medium format.

This is 4 1/2 images, 1. Ronaldino and the ball  2.  stadium lights, 3. stadium grass, 4. stadium stands, 5. added people to go into the stands. for a graphic effect.

JR
« Last Edit: March 22, 2008, 11:42:37 am by James R Russell »
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thsinar

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« Reply #471 on: March 22, 2008, 11:12:08 am »

That's what I was thinking too. However, a wonderful image.

Thierry

Quote
Morgan-

I can't claim to speak for James, but I feel pretty sure that this image is a composite of at least 4 if not more captures.

1. For the grass/ground.
2. Player & ball (or perhaps they're seperate captures as well)
3. Stadium seats
4. Stadium lighting (which may be one capture or may be several)
The biggest giveaway that it's a composite: look at the players foot on the ground- there are some dof discrepencies I feel- between the player, the grass, and the stadium seats.

Oh, and the player is most definitely lit artificially but he did a good job of making it look natural.

It's a very nice shot though, I like it a lot. Good job James!
[a href=\"index.php?act=findpost&pid=183490\"][{POST_SNAPBACK}][/a]
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Thierry Hagenauer
thasia_cn@yahoo.com

James R Russell

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« Reply #472 on: March 22, 2008, 12:09:35 pm »

Quote
That's what I was thinking too. However, a wonderful image.

Thierry
[a href=\"index.php?act=findpost&pid=183493\"][{POST_SNAPBACK}][/a]


Obviously the ronald image was planned as a composite so the main image was shot with the P-30+ not so much for the pixel count as the ability to work the files deep in post.

I wouldn't advocate trying to mount a 400 mm lens of a medium format camera and shooting fast sports on locaiton, (though it has been done), butwhen we have any form of control we always start with medium format and you don't need 20 fps to catch the right look at the right time, in fact learning to anticipate the moment usually has a better result than just holding the button down.

This image was also shot medium format and though I only get one or two frames per attempt, all you actually need is one.



This person is moving very, very fast and even the strobes don't hold pin point sharpness.

The blur on the racket is real (though added in post from another frame) and since it is shot with studio strobes it gives you some idea of how fast this subject is moving.



JR
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Morgan_Moore

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« Reply #473 on: March 22, 2008, 12:46:55 pm »

Thanks for that very insightful

Obviously with the subject in the middle the focus becomes less of an issue

This is prefocussing (in the near dark no modeling lights) and demon talent...

Cast of two - me and runner  

(sinarback on H1)

SMM
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Sam Morgan Moore Bristol UK

Morgan_Moore

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« Reply #474 on: March 22, 2008, 12:59:47 pm »

More H1 action - almost all MF with a low hit rate - you do indeed need only one frame

(all single captures)

SMM
« Last Edit: March 22, 2008, 01:01:27 pm by Morgan_Moore »
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Sam Morgan Moore Bristol UK

AndrewDyer

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« Reply #475 on: March 22, 2008, 01:08:47 pm »

Some great stuff there Sam.
You must have some quick fingers!!... and obviously some forethought and planning.
cheers
A
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Andrew
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Morgan_Moore

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« Reply #476 on: March 22, 2008, 01:16:55 pm »

Thanks  

S
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Sam Morgan Moore Bristol UK

James R Russell

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« Reply #477 on: March 23, 2008, 11:55:07 am »



P30+

JR
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Graham Mitchell

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« Reply #478 on: March 23, 2008, 11:57:42 am »

^ That last one is great, James. Love the lighting, model and colours.
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free1000

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« Reply #479 on: March 23, 2008, 02:35:26 pm »



Hartblei SR45 + A75 and Mamiya AFDII
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