I would be very interested in your observations once you have been able to compare the silver gelatin with the inkjet versions.
I pulled out the print I made about 30 years ago. I think it was probably printed on Agfa Multicontrast Classic rather than Brovira. But I found a print of another negative made at the same time on Brovira. Now I see why Terry recommended saturation 12 on the split toning. The Brovira is even warmer than I remembered. I'll have to make another proof using sat 12 and compare again. But the tone appears extremely close between the silver and digital prints.
The luster of the surface of the Brovira is much richer than the Canson Baryta that I used for the digital print.
The comparison also showed how my taste in shadow printing has evolved. The old print is considerably darker, but with shadow detail preserved to careful scrutiny. I also made different cropping decisions on the old print.
I might as well share the image I have been talking about. The uniforms and hair provide plenty of shadow detail to play with.