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Of course everyone's needs/preferences are different and there is also significant regional variation, but the vast majority of tethered shooting in the Miami fashion and rental market is to Capture One.
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I work in a lot of places and don't see the 'regional" variations you mention, but I guess that depends on what you shoot and who shoots it.
I'm also not saying I won't change, because I've changed workflow a few times, depending on camera but as of today . . .
I'm just explaining an option that works well for us. Especially since we have to review video next to stills.
Regardless . . .
What I've found in the last two years is this.
First, I don't want or need a dedicated only digital tech. Everybody's on a tighter budget, everybody has multiple tasks. At least that's what I see in every market I work in, including Miami. I expect everyone on the camera crew to know how to lift a sandbag and move a light, including myself.
The second thing is every assistant I know understands photoshop and bridge. No we don't hot folder to bridge waiting for images to come up, we use eos utility for that but if a client wants a quick review of stills and motion clips bridge handles it along with ratings, naming, drag and drop sorting.
The third thing is any assistant that owns an I phone can work EOS utility in about 20 minutes of learn time and I find the program stable, obviously has excellent previews and it previews fast.
I'm not saying I would never hire another digital tech that is only dedicated to the computer, but . . .
Gone are the days of the I'm a C-1 guy or a Leaf guy or a Hasselblad Tech, any crew member has to bring a lot more than that to the production. Some have stepped up, some haven't.
Today everyone multitasks and let's be realistic every assistant photographer understands photoshop and since bridge and camera raw come free with the program, eos utility is free with the camera, for me this becomes a very easy decision.
This doesn't mean I don't use C-1 version 4 something. We just processed out a few thousand canon files for jpegs in it, because I like the look and I have two licenses, though we haven't upgraded to v 5 and probably won't for the time being.
As far as final processing, that depends on the project and who does the retouching. If I send it to our retouchers, even if I process out a tiff, they want and need the raw and 90% of every digital image that goes through any retoucher I know is processed in camera raw. A sidecar helps because it gives them the direction we're going.
BC