Topic: Recent Works (Read 393016 times)

Chairman Bill · « **Reply #660 on:** January 03, 2009, 05:13:03 am »

Alas poor Yorick

maxima302 · « **Reply #661 on:** January 03, 2009, 11:25:20 pm »

Its been fairly cold around here in Nashville, TN. Here is a classic sight...

Canon 5D + Contax/Zeiss 50 f1.4

EgillBjarki · « **Reply #662 on:** January 05, 2009, 01:29:53 pm »

Some model shots I did for an agency here in Denmark along with some studio portraits of a friend and a Trip to Tibet last september :

Jeremy Roussak · « **Reply #663 on:** January 06, 2009, 03:19:07 pm »

Quote from: ndevlin

Something different - shot for an osteopath friend of mine with his skull model. His initial thought was a large, clinical photo for reference use when treating, but we ended up doing a series that were a little more creative. 5D2 - 24-70 f2.8L

[attachment=10706:7815_screen_jpeg.jpg]

Very nice - difficult to tell if it's a real one or a model. You could perhaps clone out the hooks and posts on either side which held the vault in place.

Jeremy

HarperPhotos · « **Reply #664 on:** January 09, 2009, 08:23:40 pm »

Happy New Year,

Just got back from 12 days in Rarotonga.

The only camera I took was my Olympus u770SW

6 shots stitched in CS4

Cheers

Simon

sanjaynarayan · « **Reply #665 on:** January 16, 2009, 06:16:28 am »

i find myself reaching more and more for the 5DII with 50/1.8, 50/1.4, 85/1.2 rather than my 1DsIII with 24-105

[attachment=10919:_MG_0065.jpg] [attachment=10920:_MG_0116.jpg] [attachment=10921:_MG_0140.jpg] [attachment=10922:_MG_0260.jpg]

Khun_K · « **Reply #666 on:** January 16, 2009, 09:49:05 am »

Mayara, shot with Canon 1Ds MK3 + 50/1.2L, Bro-color Para 220FB

Regards, K

Khun_K · « **Reply #667 on:** January 16, 2009, 09:50:20 am »

Quote from: Khun_K

Mayara, shot with Canon 1Ds MK3 + 50/1.2L, Bro-color Para 220FB

Regards, K

Lightbox · « **Reply #668 on:** January 16, 2009, 06:11:18 pm »

My worksite for the upcoming month -

5D/50mm 1.4

D White · « **Reply #669 on:** January 17, 2009, 08:31:05 pm »

Yellowstone images with a 1DsIII and various lenses.
[attachment=10971:D107_1Ds3_0140.jpg][attachment=10967:D107_1Ds3_0151.jpg]
[attachment=10965:D107_1Ds3_0534.jpg][attachment=10969:D107_1Ds3_0483.jpg]
[attachment=10968:D107_1Ds3_0438.jpg][attachment=10970:D107_1Ds3_0492.jpg]
[attachment=10966:D107_1Ds3_0540.jpg]

Eric Myrvaagnes · « **Reply #670 on:** January 17, 2009, 11:45:33 pm »

Nice abstracts.

Hoang · « **Reply #671 on:** January 23, 2009, 03:18:02 am »

canon 20d . tokina 12-24 f/4 . 12mm
iso 100 . f/8.0
uci humanities hall
interesting 'interior' scene at uci, my school =]

Jeremy Roussak · « **Reply #672 on:** January 23, 2009, 03:46:53 am »

Quote from: Hoang

canon 20d . tokina 12-24 f/4 . 12mm
iso 100 . f/8.0
uci humanities hall
interesting 'interior' scene at uci, my school =]

Very good.

Jeremy

mattpallante · « **Reply #673 on:** January 24, 2009, 02:49:50 pm »

[attachment=11084:cattails.jpg]

sony900/24-70@70/iso200/f16
cropped forground

Hoang · « **Reply #674 on:** January 25, 2009, 05:06:08 am »

Quote from: kikashi

Very good.

Jeremy

Thank you, Jeremy! I just started to do architectural work and I really, really enjoy it. It's so slow and methodical, i just love it! Well other than when its stormy, rainy weather and you're rushing to get the shot before the amazing lighting disappears, ;]

Here is another photo from my school

canon 20d . tokina 12-24 f/4 . 12mm
iso 100 . f/8.0
the top floor of john v. croul hall
it's a very beautiful building

oh and by the way, these are both HDRs. I have been working to incorporate HDR into my shooting, without the badly tonemappped halo-y look. Right now, my workflow is to adjust white balance, enable all edge defringe, and slightly sharpen in ACR -> batch process to TIF with action for PTlens lens correction -> merge to hdr + tonemap in picturenaut -> Photoshop - a bit more capture sharpening, perspective correction and/or cropping, miscellaneous finishing touches (toning/film look, levels, dodge/burn, cloning)

If anyone has some tips or advice, i'd greatly appreciate it =]

Jeremy Roussak · « **Reply #675 on:** January 25, 2009, 11:20:34 am »

Quote from: Hoang

Thank you, Jeremy! I just started to do architectural work and I really, really enjoy it. It's so slow and methodical, i just love it! Well other than when its stormy, rainy weather and you're rushing to get the shot before the amazing lighting disappears, ;]

Here is another photo from my school

To me, that one is just a picture of a room. I can understand from your explanation (and just by looking) that it wasn't easy to make, but the result doesn't justify the effort, IMHO. Sorry!

What I particularly liked about your first was the high-key effect and the feeling of space and light it imparted.

Jeremy

Conner999 · « **Reply #676 on:** January 25, 2009, 12:34:56 pm »

Brent,

RobMac here (Truro) - Nice shots, especially the last one - think it's time for her to switch agencies. I may not be explaining this well, but while I find she's very attractive, it's in a "neutral" manner for lack of a better term. She doesn't jump out at you, what what she's modeling re: makeup, hair, etc does.

Cheers

R

Quote from: Brent McCombs

Wow - I just found this thread for the first time. I have to say - the shots in this thread blow me away. I am fairly new, and shoot mostly beauty portraits, but absolutely love landscape and wildlife images. Anyway, I'm trying to learn, and am really fortunate to be going on Michael's Antarctic expedition next month (as late addition).

Anyway, in the spirit of this thread, I'll add a few of my most recent shots.

One is of a local actress/circus performer who played 'The Ghost of Christmas Past' in this season's production of A Christmas Carol at our city's main theatre. She floats above the stage on a sling/hammock aperatus hung from the ceiling. Quite amazing to see her do this, and she had me in to shoot a rehersal for her book.

Another is a black and white image of a new model for a local agency.

The last is a beauty shot taken during a series for a local hair stylist. The model happens to be with another agency in town, but they have told her she can't do commercial beauty, even locally, and just runway. My stylist and I both thought she might be able to do beauty, so we tried out a shot at the end of the set.

Brent

BernardLanguillier · « **Reply #677 on:** January 27, 2009, 09:54:25 am »

Tokyo seen through the eye of a 50 mm lens.

Cheers,
Bernard

SeanBK · « **Reply #678 on:** January 27, 2009, 10:17:05 am »

Quote from: BernardLanguillier

Tokyo seen through the eye of a 50 mm lens.

Cheers,
Bernard

Love the image, everything @ it. I pressume D3X & is that Nikon or ?? lens.

Mitchell Baum · « **Reply #679 on:** January 27, 2009, 10:17:40 am »

Bernard,

I really like this shot. How it looks and how it makes me think about the guy, and entry or holding back. I think I'd like it even better if some of the right side was cropped. But, maybe it's just me.

Great shot!

Best,

Mitchell

Author Topic: Recent Works (Read 393016 times)

EgillBjarki