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Author Topic: Recent Works  (Read 392877 times)

Craig Lamson

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« Reply #620 on: December 24, 2008, 09:37:54 am »

A marked departure from my commercial works.  I'm having a great time shooting things of a personal nature again, kind of like finding a lost lover thirty years later.  I'm into textures and light at the moment.  Canon 1DsmkIII, 24-105, C1 4
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dwdallam

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« Reply #621 on: December 25, 2008, 02:25:42 am »

Quote from: elitegroup
CATALOGUE

Fabienne@Chadwicks

Canon 1Ds MK III, 70-200mm f/2.8L USM, ISO 100, f/8 @ 1/160th

There's that combination again   It's rather superb, given you have room for it, isn't it?
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dwdallam

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« Reply #622 on: December 25, 2008, 02:29:00 am »

Quote from: Jonathan Wienke
IMO that image would be much stronger if you cropped off the woman holding the child; everything to the right of the edge of the child's sleeve.

I don't completely agree with you on that one Jon. I thought the same thing, but redacted my thought after I looked looked enough. That doesn't mean I'm right, but consider the woman holding the child looks like any woman anywhere. Then look at the contrast of that everyday look to the left. Startling, isn't it--the contrast between the everyday and something you never see in our part of the world.
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dwdallam

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« Reply #623 on: December 25, 2008, 02:30:06 am »

Quote from: david olivier
windmill farm. For next editorial... suppose to anyhow.
5D - ACR


That's compelling.
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sanjaynarayan

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« Reply #624 on: December 25, 2008, 07:08:16 am »

started testing my new 5dII on a catalogue shoot...the 1dsIII stayed in the bag the whole day!
find the lcd a tad sharper...body a bit flimsy but better for my small hands...two random shots-
one tungsten, the other with flash

[attachment=10521:_MG_0007.jpg]


[attachment=10522:_MG_0069.jpg]

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ddk

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« Reply #625 on: December 25, 2008, 08:58:51 am »

Quote from: James R Russell
Thank You.

Yes she is beautiful.  She was a model we cast in Moscow and also a ballerina.  Perfect choice and I loved the models in Moscow.  All were beautiful beyond belief.   Actually the women in Russia are gorgeous and you could cast a project in a cafe.  

This room was an old mansion that was the Ukranian Cultural center and had to be stripped and reconfigured.

Lighting was with window light and HMI's for very slight fill.

I loved working in Moscow, though harsh, cold and very challanging, it was a great experience.

This select is one of the more commercial selections for the campaign, the earlier were my quick picks.

There is much more to come from this and thank you for your kind reply.

What a wonderful series Jim, I'm glad that I stopped by here!
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dwdallam

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« Reply #626 on: December 25, 2008, 10:49:43 pm »

Quote from: sanjaynarayan
started testing my new 5dII on a catalogue shoot...the 1dsIII stayed in the bag the whole day!
find the lcd a tad sharper...body a bit flimsy but better for my small hands...two random shots-
one tungsten, the other with flash

[attachment=10521:_MG_0007.jpg]


[attachment=10522:_MG_0069.jpg]

Really nice, but I have a question. On the first image the highlight on her nose. Is that acceptable to you as a photographer or your clients? If so, please say why. I would be horrified if I saw that highlight on her nose after such a beautiful shot in all other ways.

Also, how did you like using the 5DII compared to the 1DS MKIII?
« Last Edit: December 25, 2008, 10:51:16 pm by dwdallam »
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sanjaynarayan

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« Reply #627 on: December 26, 2008, 03:43:56 am »

Quote from: dwdallam
Really nice, but I have a question. On the first image the highlight on her nose. Is that acceptable to you as a photographer or your clients? If so, please say why. I would be horrified if I saw that highlight on her nose after such a beautiful shot in all other ways.

Also, how did you like using the 5DII compared to the 1DS MKIII?

ah but the art director will have 43 images from that sequence ( here are  4 ) to choose where he liked the highlight! or did'nt. I did use the word 'random' in my post.Also the tungsten images are meant to be used just to establish the mood while the more detailed 'flash' pictures will be used to 'sell' the product.

[attachment=10535:contact.jpg]

the 5dII is a blessing for my bad back and neck!  feels a bit front heavy with the zooms and the 85/1.2 but with the 85/1.8 and 50/1.4 a great combo for a days shoot, as i mentioned the lcd seems a bit sharper., the lesser af points are'nt a problem atleast in the kind of work i do- did'nt need to microadjust any of the lenses for af. the images
seem identical to the markIII on the lower iso's

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dwdallam

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« Reply #628 on: December 26, 2008, 03:55:40 am »

Quote from: sanjaynarayan
ah but the art director will have 43 images from that sequence ( here are  4 ) to choose where he liked the highlight! or did'nt. I did use the word 'random' in my post.Also the tungsten images are meant to be used just to establish the mood while the more detailed 'flash' pictures will be used to 'sell' the product.

[attachment=10535:contact.jpg]

the 5dII is a blessing for my bad back and neck!  feels a bit front heavy with the zooms and the 85/1.2 but with the 85/1.8 and 50/1.4 a great combo for a days shoot, as i mentioned the lcd seems a bit sharper., the lesser af points are'nt a problem atleast in the kind of work i do- did'nt need to microadjust any of the lenses for af. the images
seem identical to the markIII on the lower iso's

OK thanks for that explanation. I tend to really stress over things like that, but maybe now I can take the same approach you do which would really reduce my stress. I know what you mean about weight when it comes to the 1DS3 and a long lens, or even the 24-70L. My arm starts hurting after bout 2 hours or less. Yes the tungsten mood looks nice to me. Thanks again for the explanation and good job.
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maxima302

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« Reply #629 on: December 26, 2008, 06:09:07 pm »

Taken up at Paradise with the 5D and Olympus Zuiko MC 28mm f/2.8 on one of the last nice days of the season.
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Ray

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« Reply #630 on: December 26, 2008, 10:17:34 pm »

Quote from: dwdallam
OK thanks for that explanation. I tend to really stress over things like that, but maybe now I can take the same approach you do which would really reduce my stress. I know what you mean about weight when it comes to the 1DS3 and a long lens, or even the 24-70L. My arm starts hurting after bout 2 hours or less. Yes the tungsten mood looks nice to me. Thanks again for the explanation and good job.

The weight of cameras like the 1Ds3, D3 and D3X are a big negative for me. That weight disadvantage combined with the high price, excludes me from even contemplating a purchase, and the same applies to DBs even though I already have a Mamiya RB67 and a few lenses sitting on my shelf.

The last time I went trekking in Nepal, I carried around my neck both a 5D with Sigma 15-30 and a 20D with 24-105. I suffered just a bit from back strain. When I next go trekking, it'll probably be a D700 with 14-24 and a 50D with possibly the new EF-S 18-200 which seems remarkably sharp in the centre although disappointing at the edges. However, for candid, spur of the moment shots, the corners are often not important.
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jeffok

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« Reply #631 on: December 27, 2008, 12:31:33 am »

Near, Sedona, AZ this month. Canon EOS 1Ds3, 16-35L II
[attachment=10556:20081213...213_0067.jpg]
« Last Edit: December 27, 2008, 12:32:37 am by jeffok »
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wolfnowl

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« Reply #632 on: December 27, 2008, 02:42:15 am »

Quote from: jeffok
Near, Sedona, AZ this month. Canon EOS 1Ds3, 16-35L II

Love the lighting in this image...

Mike.
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If your mind is attuned t

wolfnowl

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« Reply #633 on: December 27, 2008, 02:43:15 am »

Quote from: maxima302
Taken up at Paradise with the 5D and Olympus Zuiko MC 28mm f/2.8 on one of the last nice days of the season.

Well done!

Mike.
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Jeremy Roussak

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« Reply #634 on: December 27, 2008, 05:10:07 am »

Quote from: jeffok
Near, Sedona, AZ this month. Canon EOS 1Ds3, 16-35L II
[attachment=10556:20081213...213_0067.jpg]
I think the light is lovely and the colours suggest a warmth nicely undermined by the dark sky. However, I don't like the tree on the left: its branches look chaotic and don't stand out well (at least on my monitor) from the rocks behind. It undermines the simplicity of the image which to me looks stronger with the leftmost 20% or so cropped out.

FWIW.

Jeremy
« Last Edit: December 27, 2008, 05:11:09 am by kikashi »
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Mark F

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« Reply #635 on: December 28, 2008, 06:11:29 pm »

I was returning to my car after a rainy day of shooting in Yosemite this past fall, looked down and saw this.

Thanks for looking.

[attachment=10582:1008_Yosemite_3.jpg]
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maxima302

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« Reply #636 on: December 28, 2008, 06:55:58 pm »

Quote from: wolfnowl
Well done!

Mike.

Thank you!

Another... from outside of Levenworth, WA


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BernardLanguillier

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« Reply #637 on: December 29, 2008, 09:31:43 am »



Belgium.

Cheers,
Bernard

Chairman Bill

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« Reply #638 on: December 29, 2008, 11:54:10 am »

Dartmoor, yesterday. Sub-zero, with significant windchill dropping the temp. to minus 20C at one point. B&W shot at Wild Tor, a west side of one of the rock outcrops, colour one taken late afternoon from Higher Tor.

[attachment=10594:Wild_Tor____detail.jpg][attachment=10595:DSC_0047__3_.jpg]

Brian Nesbitt

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« Reply #639 on: December 29, 2008, 02:40:16 pm »

Here's a couple that I took near Westport, Ireland last year.

[attachment=10596:westport1.jpg]

[attachment=10597:westport2.jpg]

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