Awhile ago I sold my printer. I didn't print enough to justify the high cost of ink and photo papers. The model I owned, the Epson Photo Stylus R2400, has fairly small ink cartridges and they needed replacement pretty regularly, which was pretty expensive. I was probably wasting a lot of ink because infrequent use meant a lot of head cleaning.
I've decided to try sending my processed images to a local printing service and I'd like to learn the best strategy for processing my images before sending them off.
I shoot RAW and plan to export the images to TIFF before sending them to the printing service. I use a datacolor SpyderX to calibrate my display, which is capable of displaying almost 100% Adobe RGB. I do 90% of my post-processing in Lightroom. However, on the rare occasion that I printed something, which was several years ago when I wasn't using Lightroom, I used QIMAGE for printing. So I don't have any experience with printing from Lightroom but that probably doesn't matter since I'm using an outside service.
I've downloaded paper/ink profiles from the printing service and have loaded up these profiles in Lightroom's Develop module. I can then see what colors are out of gamut for each paper/ink profile using the Soft Proofing feature. Then I can use targeted adjustments to reduce the saturation of those out of gamut colors.
I can also use Lightroom to crop the image to the size I want for the frame and mat I plan to use. If I need white space around the image, instead of a mat, then I can export the TIFF and edit in Photoshop and use the Canvas command to add a border.
Is it a good idea to apply these targeted adjustments to the out-of-gamut colors? If so, which is better for this, Lightroom or Photoshop? With Photoshop, I can set the Proof Setup to my desired paper/ink profile and then activate 'Proof Colors' and 'Gamut Warning' to double-check if the colors are still in gamut.
Does it help to toggle paper/ink simulation on in Lightroom? I've read that those simulations aren't very reliable and many paper manufacturers say to leave it toggled off.
When I export the TIFF file from Lightroom, I can choose sRGB, Adobe RGB for ProPhoto RGB for the color space. I assume Lightroom does everything in ProPhoto, so i just set it to ProPhoto for the exported TIFF. If I edit the TIFF in Photoshop, which uses ProPhoto for the workspace, then I don't need to worry about any color conversion. After editing (like adding a border) and saving the TIFF image in Photoshop, the color space options are a little different. I noticed that in the color section near the bottom of the SAVE-AS dialog, there are 2 options. The first option is the "Use Proof Setup: 6400 Premier Photo Lustre Glossy...". The second option is "ICC Profile: ProPhotoRGB". The first option is grayed out. Why is it grayed out? If I choose another file type, like Photoshop PDF, the first option is available. If I check the "Use Proof Setup" option with PDF, then the ICC Profile lists the paper/ink profile. If I switch it back to TIFF, the ICC Profile is still showing the paper/ink profile.
What should I be using for the color space? The ICC profile (ProPhoto RGB) or the paper/ink profile?
Thanks in advance for any help!