You can't just pick a picture out of it's context and say if it's good or bad. Oh well, you can of course if you like, but if the photo comes from a series in an art project I think you need to consider the art project as a whole, and how that image fits into that particular context.
In most art photography projects there is no intention to make pictures that people hang on the wall in their own homes over their fireplace. They're made to be shown as a series in an art gallery, together with a text that provides the context of the images that makes you think when you watch the images, and that's what that type of art is about. It's not about making school-book perfect compositions of all-beautiful scenes.
Take the second picture for example of Richard Mosse which I happened to recognize, it's from his Infra series shot on Kodak Aerochrome, covering the conflict in Democratic Republic of Congo. It's not just landscape, there's pictures of soldiers in war too.