Jack,
I am not sure where you got the impression that I am suggesting you should get a D810.
Not sure where I get this impression?

Wake up and smell the coffee, Bernard.
Every time I speak about the 7D II ... "you" can be predicted to appear and speak about the virtues of Nikon ... or in some way try to "sell" Nikon.
I wrote very clearly several times that I think the 7DII is the best option for you and that I was certain you would end up buying one.
And equally as clear is your irony.
But thank you so much for validating my choices

Again, you seem to be making assumptions about what I think that are simply mistaken. It is not because I own Nikon equipment that I think everyone should be using a Nikon.
I think you are in denial.
A quick review of the sum total of all your posts says otherwise--that you live and breathe Nikon--and see the world through Nikon-tinted glasses (lenses)

I clearly think that Nikon manufactures some pieces of equipment, such as the D810, some of their recent lenses (58mm f1.4, 85mm f1.8, 400mm f2.8,...) that have some unique qualities but each photographer has the means to map this with his/her needs/likes/wants.
Right. And I have outlined mine.
We all strive to improve our photography, it is only natural to select the best equipment we think will help in this quest in the context if our constraints (past decisions in terms of lenses, financial situation,...).
Right. Again, which I have said all along.
The absolute max in resolution is not the only deciding factor for me.
Ultimately, there is
nothing better about the D810 over the 7D II, except single-image resolution ... which could only be noticed by pixel-peepers (and only if they had my raw files) ... and then, really, not by much ... which won't really matter in the real world. Basically, no one will be able to tell the difference on the subjects I shoot.
In every other category, the 7D II trumps the D810, every one.
If I switched, I would suffer the difference is in my lack of lens choices in the subjects I shoot, most particularly shooting over 1:1 magnification in macro (which comprises a large portion of what I do). Again, I could work around this with Nikon, using a maze of connecting gadgetry ... stiff bellows, etc. ...
or I could just use the
one,
ultra-convenient specialized lens Canon has FAR more useful application in nature. (You can only use bellows in a studio.) What's more, in the end, no one will know the difference in resolution anyway.
Clear enough Jack?
cheers,
Bernard
I was never unclear as to your biased favoritism with Nikon (with good reason, for what you like to shoot).
But I
was unclear as to which way I wanted to go, ultimate resolution with Nikon, or far more convenience & flexible choices for what I like to shoot with Canon.
I am crystal clear now, and convenience and flexibility win in my book.
Cheers back,
Jack