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Author Topic: Re: Recent Professional Works 2  (Read 1211685 times)

MichaelEzra

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Re: Recent Professional Works 2
« Reply #2480 on: January 02, 2017, 09:45:48 am »

Happy New Year, everyone!
Let 2017 spring off the hard work of 2016:)

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drmike

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Re: Recent Professional Works 2
« Reply #2481 on: January 02, 2017, 11:16:12 am »

I keep on saying it. So much detail to admire.
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DiamondsDr

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Re: Recent Professional Works 2
« Reply #2482 on: January 04, 2017, 10:00:05 pm »

DiamondsDr

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Re: Recent Professional Works 2
« Reply #2483 on: January 04, 2017, 10:05:48 pm »

kitaoka

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Re: Re: Recent Professional Works 2
« Reply #2484 on: January 05, 2017, 02:16:28 pm »

Hello and Michael, thanks for referring to my experience with the Flashpoint/Godox line of strobes. Also your work is well done. I wanted to let other members here know that when I am in studio then shutter speed has little to do with stopping action. I use my 645Z almost exclusively in studio for action or non action. For me medium format is a delicious look. Prior to using Godox/Flashpoint 600s I was using Einsteins exclusively. Paul's engineering for t:1 performance was great and presented a fantastic value. I've used Profoto, Elinchrom and Priolites as well. To my knowledge Priolite is the only brand offering HSS or more accurately Hypersync for Pentax. I was not happy with the Priolite Hotsync 1000 because of the banding in Hypersync mode.

So I tried the Godox AD600 line and was happy using them with my Pentax in studio and outdoors with my Canon gear. Any time ambient light is a factor the choices left are using a leaf shutter or HSS to freeze action. For dance we all try to capture the talent at the apex of their movement. As such they are often 'frozen' in time and that is when we attempt to take the shot. Outdoors I usually shoot at 1/2000th to freeze action using HSS. I have found the Flashpoint/Godox 600 line excellent. And their addition of higher power heads is a real plus. I currently own five of the Flashpoint 600 lights, five remote H600 heads and one 1200 head. I find their value exceptional.

I prefer to photograph dancers outside of the studio or stage. I find their movement in nature to be beautiful. Also when I shot two pro tango dancers in water I had to adjust my timing. You see when they reach their apex, where we normally try to catch them the water trail is gone! So I had to adjust my timing to snap just before their apex. Those shots were done in studio with Einsteins, as the Godox line was not yet released.

I also often use gobos with my strobes. In the desert shot using a gobo window really sucks the power out of a light. So having the option of converting two AD600s to one 1200ws light is a fantastic option. To date I know of no other manufacturer who offers this much flexibility. I heard a rumor that Godox is working on a trigger for Pentax. I will be one happy shooter when that happens! HSS on my MF rig will be a godsend! Again, everyone must pick the gear that works best for their client base. I have found what works well for me and my clients.

My site's recent dance imagery.

In this setup the shutter speed stays at max sync speed, so a pitiful 1/125 for 645z. Overall it seemed consistent enough.. if there was any variation, I honestly didn't pay much attention as its trivial to adjust in post. One just has to religiously take care to not burn the highlights with 645z - there is no headroom.

These flashes are fine.. they give light and quite a lot of it;) The only issue I noticed - there is a Y power cable which allows to shorten the recycle time, it has a current leak - with this cable connected and everything powered down the battery pack is discharging. Otherwise, these batteries just don't end.

I found very helpful reviews of this and other Flashpoint/Godox lights on this blog by Mark Kitaoka: http://www.markkitaoka.com/blog
XPLOR600 looks quite interesting & easier to connect with modifiers.
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MichaelEzra

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Re: Recent Professional Works 2
« Reply #2485 on: January 05, 2017, 04:40:50 pm »

Hello Mark, it is great to see you here! I enjoyed reading your blog:)

I am preparing for the group exhibit at Museum of Russian Art (http://moramuseum.org, Jersey City, NJ) on January 14th, in celebration of the Russian "Old New Year".
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kitaoka

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Re: Recent Professional Works 2
« Reply #2486 on: January 05, 2017, 04:52:17 pm »

Thanks, I won't be here much as my high season kicks into gear this month. Take care.
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MichaelEzra

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Re: Recent Professional Works 2
« Reply #2487 on: January 06, 2017, 09:59:26 am »

Another Unimpossible

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Chris Barrett

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Re: Recent Professional Works 2
« Reply #2488 on: January 09, 2017, 08:24:41 pm »

This house we shot in Florida recently got some nice coverage in Florida Design Magazine  ;)

ErikKaffehr

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Re: Recent Professional Works 2
« Reply #2489 on: January 09, 2017, 10:54:49 pm »

Congratulations!

Erik
Hello Mark, it is great to see you here! I enjoyed reading your blog:)

I am preparing for the group exhibit at Museum of Russian Art (http://moramuseum.org, Jersey City, NJ) on January 14th, in celebration of the Russian "Old New Year".
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MichaelEzra

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Re: Recent Professional Works 2
« Reply #2490 on: January 09, 2017, 11:19:28 pm »

Congratulations!

Erik

Thanks Erik! I'll be showing 6 nudes in a company of painters and other photographers.
I know that a few boxes of Champagne were already brought in and no party goes there without some Russian delicatessen. Admission is free, just a couple flights of stairs:)

Another Unimpossible:)

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Eric Myrvaagnes

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Re: Recent Professional Works 2
« Reply #2491 on: January 10, 2017, 12:21:30 am »

Thanks Erik! I'll be showing 6 nudes in a company of painters and other photographers.
I know that a few boxes of Champagne were already brought in and no party goes there without some Russian delicatessen. Admission is free, just a couple flights of stairs:)

Another Unimpossible:)


I wish I could get to see the show.
Be careful of that Russian Champagne. It's probably that clear liquid commonly known here as Vodka.
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JoeKitchen

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Re: Recent Professional Works 2
« Reply #2492 on: January 10, 2017, 07:19:49 am »

This house we shot in Florida recently got some nice coverage in Florida Design Magazine  ;)



CB, great shot and I love how you left the outside blue.  However, I got to ask, how do you handle clients that would criticize that? 

If I handed an image like that to a client, the first thing would be, "why is the outside blue?  Can you fix it?"

It drives me nuts since in these shots it such a nice contrast. 
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Bo_Dez

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Re: Recent Professional Works 2
« Reply #2493 on: January 10, 2017, 07:28:16 am »

Happy New Year, everyone!
Let 2017 spring off the hard work of 2016:)



Beautiful images Michael, you are right, what a great experience.
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Chris Barrett

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Re: Recent Professional Works 2
« Reply #2494 on: January 10, 2017, 09:42:34 am »


If I handed an image like that to a client, the first thing would be, "why is the outside blue?  Can you fix it?"


Joe, I think you may have asked me this before.  We must have very different clients.  I've never had anyone find this look objectionable.  Exterior dusk views have looked like this since the beginning of color architectural photography, so it's really more the norm.  Digital imagining has brought benefits and deficits to commercial photography.  I think we are losing some of the magic with every generation that hasn't experienced film photography.

On that note, my Arca Swiss 8x10 arrives today!  ;)

pearlstreet

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Re: Recent Professional Works 2
« Reply #2495 on: January 10, 2017, 04:51:17 pm »

This house we shot in Florida recently got some nice coverage in Florida Design Magazine  ;)



The interior lighting is perfect. I love this.
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alatreille

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Re: Recent Professional Works 2
« Reply #2496 on: January 10, 2017, 09:40:37 pm »


On that note, my Arca Swiss 8x10 arrives today!  ;)

Jealous....What lenses are you using on it Chris?  I thought you'd moved on all your Arca mount glass...
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Chris Barrett

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Re: Recent Professional Works 2
« Reply #2497 on: January 11, 2017, 08:00:51 am »

I still have a number of LF pieces including some I added when I bought the 4x10 a couple years ago...

SK SS XL 110
SK SS XL 150
Fuji 180
Rodie Apo-Sironar W 210
SK G-Claron 305
Fuji 420 (THANKS JIM!!!)
Nikkor 450

I kinda want the Cooke Triple Convertible but I don't think I have enough bellows for the long end.  Hmm.

Pablovi

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Re: Re: Recent Professional Works 2
« Reply #2498 on: January 12, 2017, 10:19:19 pm »

Hello and Michael, thanks for referring to my experience with the Flashpoint/Godox line of strobes. Also your work is well done. I wanted to let other members here know that when I am in studio then shutter speed has little to do with stopping action. I use my 645Z almost exclusively in studio for action or non action. For me medium format is a delicious look. Prior to using Godox/Flashpoint 600s I was using Einsteins exclusively. Paul's engineering for t:1 performance was great and presented a fantastic value. I've used Profoto, Elinchrom and Priolites as well. To my knowledge Priolite is the only brand offering HSS or more accurately Hypersync for Pentax. I was not happy with the Priolite Hotsync 1000 because of the banding in Hypersync mode.

So I tried the Godox AD600 line and was happy using them with my Pentax in studio and outdoors with my Canon gear. Any time ambient light is a factor the choices left are using a leaf shutter or HSS to freeze action. For dance we all try to capture the talent at the apex of their movement. As such they are often 'frozen' in time and that is when we attempt to take the shot. Outdoors I usually shoot at 1/2000th to freeze action using HSS. I have found the Flashpoint/Godox 600 line excellent. And their addition of higher power heads is a real plus. I currently own five of the Flashpoint 600 lights, five remote H600 heads and one 1200 head. I find their value exceptional.

I prefer to photograph dancers outside of the studio or stage. I find their movement in nature to be beautiful. Also when I shot two pro tango dancers in water I had to adjust my timing. You see when they reach their apex, where we normally try to catch them the water trail is gone! So I had to adjust my timing to snap just before their apex. Those shots were done in studio with Einsteins, as the Godox line was not yet released.

I also often use gobos with my strobes. In the desert shot using a gobo window really sucks the power out of a light. So having the option of converting two AD600s to one 1200ws light is a fantastic option. To date I know of no other manufacturer who offers this much flexibility. I heard a rumor that Godox is working on a trigger for Pentax. I will be one happy shooter when that happens! HSS on my MF rig will be a godsend! Again, everyone must pick the gear that works best for their client base. I have found what works well for me and my clients.

My site's recent dance imagery.

You can use highsync speed with the Pentax 645Z and D and the Godox AD360ii and AD600, using A Cactus V6ii trigger. Up to the cameras maximum shutter speed, I've used it with the 645D.

http://www.cactus-image.com
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MichaelEzra

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Re: Recent Professional Works 2
« Reply #2499 on: January 16, 2017, 12:12:01 pm »

A quick video from the exhibit at the Museum of Russian Art, on display until Jan 28th.

https://youtu.be/9_OMNgi4ukc
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