A high-end photo-oriented monitor like an Eizo CG produced far less banding on smooth gradients than your typical general-purpose monitor. It's one of the easiest ways to show the differences; we use it in demos all the time.
I know this topic on a personal level since I work on smooth long gradients for hours and hours when touching up my
Bodyscape series. I can only work on these on an Eizo because it IS possible for real banding to crop up even in 16 bit because of the enormous contrast I am adding, so I need to quickly know what banding is real and what banding is just on the monitor which is impossible on, for instance the Apple Cinema Display next to the Eizo on our custom workstation.
Doug Peterson
(e-mail Me)__________________
Head of Technical Services, Capture Integration
Phase One, Canon, Apple, Profoto, Eizo & More
National: 877.217.9870 | Cell: 740.707.2183
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