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Author Topic: Ethereal glowing skin while retaining skin texture  (Read 4319 times)

feppe

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Ethereal glowing skin while retaining skin texture
« on: February 22, 2009, 02:31:52 pm »

I've been trying to find a way to get a dreamy, romantic glow on a portrait, while retaining skin texture for a while now. I know it's a bit of a non-sequitur, but hey, one can try. And I'm getting there!

For the glow effect, I'm using a neat PS action called Dave Beaman's Ethereal Glow which I downloaded somewhere a while back - quick googling shows it's still widely available. For getting back texture I'm using Des's excellent technique he recently explained in another thread.

Here's the process in PS:

- Save original background layer
- Spotting
- I use Kodak GEM Airbrush to smooth skin - in this step I'm mostly concerned fixing blotches and blemishes and not too worried about texture, so you can use whatever method you prefer to get rid of such imperfections
- Bring back texture - this is Des's technique, and numbers vary widely between images (I switched the order of D and C):
   A: Dupe the B/Ground Layer
   B: Filter> Other > HiPass set say 15px( 5-20)
   D: Invert
   C: Gaussian Blur> say 3-8 Px [I use Smart Filter as this is a critical step which can cause wacky results]
   F: Change blend Mode to Linear Light and add BLACK layer Mask
   G: Brush the the skin where you want smoothness but texture in WHITE
   [H: Adjust opacity as needed]
- Dave's Ethereal Glow - make two copies
- Take most texture-filled channel from Bring Back Texture step above (usually blue), and use as mask for Ethereal Glow layers
- Inverse mask for one Glow layer
- Apply an S-curve on the mask histograms to punch through only the hilight/shadow in each mask
- (optional) Apply Gaussian Blur on the masks for the glow filters - try this to see if it helps. The more blur, the more ethereal the glow.

This way you get two glow channels - shadows and highlights. You can tweak their balance and opacity accordingly.

Below an example of a portrait, first without glow, second with, and 100% crops. I have used more glow on the highlights (50% opacity vs. 30% in shadows), as this brings out the cheeks nicely and avoids overly flattening the image. As you can see, the texture is not visible in the screen-res versions, but it is in the full-sized versions. I haven't had time to print this out to see if it works out, or if I need to tone down the glow.

I know this is not to everyone's liking, but I'm going for a very specific look. I'm keen to hear what you think, and if there's a better or a different way to reach the same result!
« Last Edit: February 22, 2009, 02:33:16 pm by feppe »
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sergio

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Ethereal glowing skin while retaining skin texture
« Reply #1 on: February 22, 2009, 05:15:13 pm »

Try this:

DUplicate your layer. Desaturate it. Gaussian blur, try 25. Set Blending mode to SoftLight. Reduce opacity to taste.

I turn my opacity to around 30. I don't like overcooked images. YMMV.
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Jeremy Roussak

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Ethereal glowing skin while retaining skin texture
« Reply #2 on: February 23, 2009, 03:37:52 am »

Quote from: feppe
I've been trying to find a way to get a dreamy, romantic glow on a portrait, while retaining skin texture for a while now. I know it's a bit of a non-sequitur, but hey, one can try. And I'm getting there!
Below an example of a portrait, first without glow, second with, and 100% crops. I have used more glow on the highlights (50% opacity vs. 30% in shadows), as this brings out the cheeks nicely and avoids overly flattening the image. As you can see, the texture is not visible in the screen-res versions, but it is in the full-sized versions. I haven't had time to print this out to see if it works out, or if I need to tone down the glow.

I know this is not to everyone's liking, but I'm going for a very specific look. I'm keen to hear what you think, and if there's a better or a different way to reach the same result!
The first thing that struck me, switching back and forth between the two, is that while the treatment looks quite good on the skin, it ruins her eyes. Can you mask them out?

Jeremy
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Tim Lookingbill

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Ethereal glowing skin while retaining skin texture
« Reply #3 on: February 23, 2009, 04:39:28 am »

Try a negative number setting in ACR's Clarity slider like -30.

I tried it on your before pic and found it gives a better effect than the Ethereal Glow version without messing up the eyes.

You'll need the version of ACR that comes with CS3.
« Last Edit: February 23, 2009, 04:42:35 am by tlooknbill »
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fike

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Ethereal glowing skin while retaining skin texture
« Reply #4 on: February 23, 2009, 09:46:17 am »

It appears that your blown highlights (I know they are deliberate) are moving towards cyan.  I am not sure I like that color on skin.  It looks cold and processed.  I would try to desaturate the cyan (maybe blue too) on the chest with a masked adjustment layer.

I am working from my uncalibrated business monitor, so I may be off base on the color tones.
« Last Edit: February 23, 2009, 09:46:55 am by fike »
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feppe

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Ethereal glowing skin while retaining skin texture
« Reply #5 on: February 23, 2009, 12:50:05 pm »

Thanks for the replies! Very informative and helpful, really appreciate them!

Sergio's technique seems to give surprisingly good results despite its simplicity, thanks!

I noticed the eyes before, but it was getting late last night and I didn't bother to mask them out, yet.

The clarity slider in Lightroom seems to have a similar effect when brought to negative. But I find the masking options in LR very restricting and cumbersome compared to PS.

Quote from: fike
It appears that your blown highlights (I know they are deliberate) are moving towards cyan.  I am not sure I like that color on skin.  It looks cold and processed.  I would try to desaturate the cyan (maybe blue too) on the chest with a masked adjustment layer.

I am working from my uncalibrated business monitor, so I may be off base on the color tones.

This I need to investigate further. As said, this is part of a very specific look I'm going for, and I haven't gotten around to getting the toning ok, yet.

Hitting the "right" (or perhaps more accurately "pleasing") skin tone especially in these highly processed shots is tough. On my calibrated monitor the skin looks cool, but not enough to call it leaning towards cyan. The pic is sRGB, so it should look ok on a browser with a calibrated monitor. Nevertheless, I'll have to compare to CMYK figures for Asian skin tones I have saved somewhere...

As a sidestep, Asian models prefer to have very pale skin tones. I once added some very moderate tanning in post on a friend of mine who I shot for admission to Miss Hong Kong beauty pageant competition (my pics got her in, and she made top 10  ), and she almost strangled me    I had to go back and make her to look like she had been dunked in flour - well, almost.

In any case and for this pic, the mood might benefit from warmer toning.
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