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Author Topic: Recent Professional Works  (Read 1796298 times)

ghoonk

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Re: Recent Professional Works
« Reply #3200 on: October 21, 2011, 03:51:16 pm »

Ghoonk, What nice work!  The last shot is the only one that I could say doesn't do much for me, the others are great.  Jim

frankly, it's not very interesting on screen, and looks a whole lot better in real life. I had this printed for a client in a simple white frame with white border, which came out better than it does as a web image

Thanks for the compliments! I'll be posting some other shots that I did for an editorial of Life in Dubai shortly
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ghoonk

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Re: Recent Professional Works
« Reply #3201 on: October 21, 2011, 03:58:33 pm »

Here's a couple of Life in Dubai, shot with a Hasselblad H4D-31 with 80mm lens, and a couple of others with my previous setup, a Mamiya 645 AFD II and Leaf Aptus 65 back







Here's one shot with my old rig. Reminds me of Wall-E

« Last Edit: October 21, 2011, 04:02:38 pm by ghoonk »
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Christo_Stankulov

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Re: Recent Professional Works
« Reply #3202 on: October 24, 2011, 08:39:45 am »

500 C/M@Distagon 50/4 CF FLE@f8
Hasselblad CFVII digital back
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Xto.

Dan Bellyk

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Re: Recent Professional Works
« Reply #3203 on: October 26, 2011, 10:36:27 pm »

I love the fourth shot ghoonk.

All are great but I really like #5
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oyvindandersen

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Re: Recent Professional Works
« Reply #3204 on: October 27, 2011, 02:48:30 am »

From Yesterdays shoot, Hasselblad H2/CF-39/50-110
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Øyvind Andersen
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tom b

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Re: Recent Professional Works
« Reply #3205 on: October 27, 2011, 04:54:57 am »

A topless minor showing his underwear, truly a breach of trust.
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Tom Brown

ghoonk

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Re: Recent Professional Works
« Reply #3206 on: October 27, 2011, 01:54:24 pm »

All are great but I really like #5

That did have me thinking as well. I wanted something asymmetrical, so this turned out well.

Just got my hands on an Aptus 22 for the V, which I'm hoping to get an adapter to use it on the RZ67 as well. :)
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Jozef Zajaz

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Re: Recent Professional Works
« Reply #3207 on: October 30, 2011, 06:36:44 pm »

From todays shoot, done with the iq180 + 110mm 2.8

Third one is from the other day, shot with the p30+ and 110mm.
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HarperPhotos

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Re: Recent Professional Works
« Reply #3208 on: October 31, 2011, 04:00:40 am »

Gidday,

Here's a shot from a few weeks ago.

Cheers

Simon
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Simon Harper
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Willow Photography

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Re: Recent Professional Works
« Reply #3209 on: October 31, 2011, 05:56:22 am »

A topless minor showing his underwear, truly a breach of trust.

Are you for real???
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Willow Photography

haefnerphoto

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Re: Recent Professional Works
« Reply #3210 on: October 31, 2011, 07:23:51 am »

Ashley, Simon and Jozef, Great work! I agree with Willow, what a strange comment.  Jim
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Jeremy Roussak

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Re: Recent Professional Works
« Reply #3211 on: October 31, 2011, 02:25:10 pm »

The Jade studio in myhotel Brighton...
.. which was one of many images produced at their various hotels, in the south of England, a few weeks ago.
The right hand part of the room, including the bed, looks as if it's sloping downwards. Maybe it's just me.

Jeremy
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pixjohn

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Re: Recent Professional Works
« Reply #3212 on: October 31, 2011, 04:43:41 pm »

Just tilt your head to the left and it will be straight again.
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tom b

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Re: Recent Professional Works
« Reply #3213 on: October 31, 2011, 05:28:58 pm »

Willow, the pose I saw is more appropriate for someone like David Beckham than a young boy. The image is age inappropriate and sexualises a young boy.

I'm sure that you would not want to pose young girls the way you pose your adult models. Why should it be any different for young boys.

Cheers,
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Tom Brown

Graham Mitchell

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Re: Recent Professional Works
« Reply #3214 on: October 31, 2011, 05:36:51 pm »

The image is age inappropriate and sexualises a young boy.

Sexuality is in the mind of the beholder.
For what it's worth, I don't see anything unacceptable about that image. It looks like a kid trying to be like his grown up heros.
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ChristopherBarrett

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Re: Recent Professional Works
« Reply #3215 on: October 31, 2011, 05:45:38 pm »

Just put the finishing touches on this one...







   



Yep.

CB
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Graham Mitchell

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Re: Recent Professional Works
« Reply #3216 on: October 31, 2011, 05:52:18 pm »

CB, there's quite a colour shift between interior/exterior lighting in the last pic. There might be a solution for that. If you take the shot as is, then an identical shot with the interior lights turned off, then you can isolate the 2 types of light. You can then either manually separate the 2 light sources of perhaps ReLight could do it (I don't know whether it can handle subtraction as well as addition). See http://www.oloneo.com/
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ChristopherBarrett

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Re: Recent Professional Works
« Reply #3217 on: October 31, 2011, 06:01:29 pm »

Dude!  We wait all day to get windows that look like that! LoL.  Oh man...  I've been doing dusk interiors for so many years, it's never really occurred to me to tame the blue.  You should see some of my old portfolio shot on EPY... with a tungsten balance the windows would go cobalt on the chromes.  The designers would be utterly giddy with that look.  

You could control this shift pretty easily with the color editor in C1Pro or a Hue adjustment layer in P'shop (targeting the blue).

You know, if ya wanted to.

;)
« Last Edit: October 31, 2011, 06:14:09 pm by CBarrett »
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Kirk Gittings

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Re: Recent Professional Works
« Reply #3218 on: October 31, 2011, 06:11:12 pm »

Quote
Dude!  We wait all day to get windows that loo like that!

Absolutely. That last space is actually pretty drab. That light and view is the major buzz in that image.
« Last Edit: October 31, 2011, 06:13:31 pm by Kirk Gittings »
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Thanks,
Kirk Gittings

Graham Mitchell

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Re: Recent Professional Works
« Reply #3219 on: October 31, 2011, 06:14:08 pm »

Dude!  We wait all day to get windows that loo like that! LoL.  Oh man...  I've been doing dusk interiors for so many years, it's never really occurred to me to tame the blue.  You should see some of my old portfolio shot on EPY... with a tungsten balance the windows would go cobalt on the chromes.  The designers would be utterly giddy with that look.  

You could control this shift pretty easily with the color editor in C1Pro or a Hue adjustment layer in P'shop (targeting the blue).

You know, if ya wanted to.

;)

I wouldn't recommend targetting the blue in PS if you want maximum quality.
I assume you wait all day to get that light for the balance of exposure, not the colour, but perhaps I'm mistaken :)
Did you look at ReLight?
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