You are waaaaay to diversely talented. You make us specialists look like were rowing with one oar...............
Here's some architecture too. Jim
Here's a couple more of a 1937 Peugoet I shot last summer. It's just recently slowed down enough for me to work on a few things that are more passion than profit. Even though the car looks a bit out of place in the overhead I think it still works with the rest of the series (shown in the first Recent Works thread). Jim[attachment=9017:down_view_0008_dc6.jpg][attachment=9016:fender_d...0010_dc5.jpg]
Jim, very nice work! What setup did you use for the residential houses?
Dergiman, I used either a Mamiya with a P45 or a 1Dmk2 with either a 24 or 17mm t/s. No lighting other than what existed was used. On interiors I'll shoot a wide bracket and then merge the captures in Photomatix using the Exposure Fusion capability. I find it doesn't look unreal if done correctly. Jim
Rob is absolutely right, no fill of any kind. It was way too windy and besides I didn't really need it, the white sand is a great reflector. It was a liberating experience - just a camera and a girl, no fuss, no flashes, no assistants. Gotta start doing that kind of thing more often
Always difficult to do it someone else's shots.
In fact I find the Graham images pretty good, the only reason IMO why he has the sensation that it didn't work so much is because the atmosphere has to be post producedin order to make the viewer dream.
"Le soleil blanc du désert"Atlantis dunes, around 150km from Cape Town, South AfricaH4D-40+35-90, natural light
Outstanding!
