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Author Topic: Recent Professional Works  (Read 1787346 times)

NikolaBorissov

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« Reply #1720 on: January 24, 2010, 05:28:18 pm »

My first post here

"Quizás, Quizás, Quizás"

[attachment=19722:_MG_1934.jpg]
[attachment=19723:_MG_2102.jpg]
[attachment=19724:_MG_2223_bw.jpg]
[attachment=19725:_MG_2343_bw.jpg]

I hope you like them
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feppe

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« Reply #1721 on: January 24, 2010, 07:04:42 pm »

Quote from: NikolaBorissov
My first post here

"Quizás, Quizás, Quizás"

Beautiful shots and a good way to start here - welcome! Love the 2nd and 4th, especially the lighting.

How did you do the skin? Dodge&burn?

haefnerphoto

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« Reply #1722 on: January 24, 2010, 07:48:49 pm »

Nickola,  Very nice work!!  Jim
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ddk

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« Reply #1723 on: January 24, 2010, 09:43:50 pm »

Quote from: NikolaBorissov
My first post here

"Quizás, Quizás, Quizás"

I hope you like them

Beautiful work Nikola...
« Last Edit: January 24, 2010, 11:45:13 pm by ddk »
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Slobodan Blagojevic

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« Reply #1724 on: January 24, 2010, 09:51:19 pm »

Like a breath of fresh air! Welcome, Nikola.

HarperPhotos

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« Reply #1725 on: January 25, 2010, 01:02:49 am »

Hello Nikola

Welcome to Luminous.

I think your shots look absolutely fabulous - the last one reminds me of the old classic Hollywood star portraits of the 1930's and 40's.

Cheers

Simon
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Simon Harper
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wolfnowl

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« Reply #1726 on: January 25, 2010, 01:24:34 am »

Hi Nikola, and welcome to the list!  As others have said, nice work!

Mike.
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Frank Doorhof

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« Reply #1727 on: January 25, 2010, 03:37:24 am »

Wonderful Nikola
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NikolaBorissov

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« Reply #1728 on: January 25, 2010, 03:42:29 am »

Wow, thank you guys for the warm welcome

feppe: nope, I use a combination of healing brush (with a neutral grey+ 4% noise pattern), a dust and scratches layer, a surface blur layer and a high pass filter+noise+sharpen layer to bring back the texture.  Never quite got the hand on the dodge&burn technique

A couple of pictures from Paris:

[attachment=19732:_MG_8373.jpg]

[attachment=19733:_MG_8504.jpg]

[attachment=19734:_MG_8656.jpg]

[attachment=19735:_MG_8718.jpg]

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Frank Doorhof

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« Reply #1729 on: January 25, 2010, 05:37:46 am »

#2 is amazing.

I visited your site and loved the portfolio, will be looking forward to seeing your posts in the future.
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Frank Doorhof

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« Reply #1730 on: January 25, 2010, 05:40:55 am »

Dodge and burn is nice when having a high budget and only have to do 1-2 shots.

We have a image process que per week of 50-60 shots and often budgets are much too low to spend 1-2 hours on a shot.
There are a lot of techniques out there that do a good job.
I use something similar lately like Nikola it works faster and even on prints it looks very nice.
I do hate gaussian blurring however.
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feppe

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« Reply #1731 on: January 25, 2010, 06:44:34 am »

Quote from: Frank Doorhof
Dodge and burn is nice when having a high budget and only have to do 1-2 shots.

We have a image process que per week of 50-60 shots and often budgets are much too low to spend 1-2 hours on a shot.
There are a lot of techniques out there that do a good job.
I use something similar lately like Nikola it works faster and even on prints it looks very nice.
I do hate gaussian blurring however.

Yeah, from what I understand D&B can take literally tens of hours to be done properly, and I sure don't have that kind of patience - and I have all the time in the world as an amateur if I so choose.

I've had great success with this high-pass/gaussian blur method. While it uses blur, it also uses high-pass filter to counteract it. The beauty of this is the action provides several "frequencies" to get rid of or amplify, so one can get rid of larger blemishes while keeping pores and texture - without having to resort to D&B or copy-pasting patches of skin from "perfect" skin samples.

I've also tried quite a few plugins, but they all are either too heavy-handed and useless even with lowered opacity, or not customizable enough.

EgillBjarki

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« Reply #1732 on: January 30, 2010, 07:08:05 am »

Some thing new I'm working on. This is session one, got a permit to photograph in "Kastrup Lufthavn" (Copenhagen, Denmark) in the public spaces, did not get a permit to go past the security check. I'm very happy with it, hope you guys like it.

Made with a Hasselblad H2 with a Phase One P30+ back, f/11 - f/16 on HC 50-110mm and HC 35mm











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Frank Doorhof

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« Reply #1733 on: February 01, 2010, 12:01:50 pm »

wonderful work.
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Frank Doorhof

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« Reply #1734 on: February 01, 2010, 12:04:00 pm »

Some from this weekend.
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Frank Doorhof

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« Reply #1735 on: February 05, 2010, 12:38:23 pm »

To keep this thread alive.

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SeanBK

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« Reply #1736 on: February 05, 2010, 01:33:47 pm »

Quote from: Frank Doorhof
To keep this thread alive.

I like especially the 3rd image. As usual great work, thx for posting & keeping "it" alive, though barely as your images attests.  
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haefnerphoto

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« Reply #1737 on: February 05, 2010, 08:42:38 pm »

I shot this vintage Ferrari to add to my next edition of Rare and Exquisite: Vehicles of Distinction.  Here's a couple of the shots that are finished.  Jim

[attachment=20033:Dead_Fro...lattened.jpg]

[attachment=20034:7_8_Side..._cropped.jpg]
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Craig Lamson

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« Reply #1738 on: February 05, 2010, 08:46:07 pm »

Quote from: haefnerphoto
I shot this vintage Ferrari to add to my next edition of Rare and Exquisite: Vehicles of Distinction.  Here's a couple of the shots that are finished.  Jim

[attachment=20033:Dead_Fro...lattened.jpg]

[attachment=20034:7_8_Side..._cropped.jpg]

Nicely shot...great backgrounds.  That school in LA?
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Brent McCombs

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« Reply #1739 on: February 05, 2010, 09:39:01 pm »

A couple of recent images, and among my first with the P40+

The image with the individual model leaping is the first from a fashion series we just completed tonight for a local designer. This designer makes 'wearable art' almost exclusively, and then presents his pieces in a performance show he designs. It's altogether more esoteric then most standard run-way style shows. For this collection, the garments were designed for all the members of an all female choir, and his showcase featured their singing, two narrow spotlights, and interpretive dance. You had to be there, but it was actually very cool - and certainly refreshingly different for our market.

I was asked to do something equally out of the norm for the shoot, with the only direction being that he wanted to feel 'movement' in the images,  and documenting the clothing was not the goal, but rather creating a 'feel'. Only problem was he had a bit of a problem describing what the feel would be - only that he'd know it when he saw it. And we were to use the members of the choir as our models - so all body types, shapes and sizes.

My interpretation of his show (titled 'Thaw', and revolving around the notion of early spring in Canada), was to attempt to turn each of our subjects into a unique 'snowflake', around the concept of 'Spring Flurry'. Using a mix of studio strobes (face/background) and hotlights (creating the blur) I shot long(ish) shutter speeds and let the motion of the models and garments create 'motion'.

The image with the three models is the campaign shot for another local designer of the Orphanage clothing line. Her concept was 'Freak Show', and she wanted a dark feel to the images. On the day of the shoot, our male model cancelled due to behing hospitalized in a bar fight (classy!); and we had to scramble to find a replacement - turning to Myles, our Makeup artist on the day.
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