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Author Topic: Recent Professional Works  (Read 1782211 times)

Snook

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« Reply #980 on: June 16, 2009, 04:47:55 pm »

Quote from: foto-z
yes, using 40mm  lens

Hey Graham they look  really nice. Are you stitching with a paroramic head or just by hand.
Been just starting to get into stitching but not sure if it is absolutely necessary to have the Pano head or Pano extension thingy.
Any suggestions or help? How do you approach the shot or in other word how did you approach that shot?
Thanks a lot
Snook
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bdp

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« Reply #981 on: June 16, 2009, 06:25:57 pm »

Hi Graham,

I'd also like to know if you used focus bracketing to get the dof in the second one. I shot my first pano with a RRS nodal slide the other day with my Contax and Sinar e75, and was surprised at the lack of dof on a Contax 45mm at f11.

Ben
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PLLove

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« Reply #982 on: June 17, 2009, 05:03:16 pm »

Some of my recent work:

Mamiya 645 AFD II
Leaf Aptus 22
Mamiya 105-210mm or 80mm







P-Love

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Graham Mitchell

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« Reply #983 on: June 17, 2009, 06:44:06 pm »

Quote from: Snook
Hey Graham they look  really nice. Are you stitching with a paroramic head or just by hand.

Thanks! I don't have a pano head either, but that just means you can't have anything too close to the camera in shot.

Quote from: bdp
I'd also like to know if you used focus bracketing to get the dof in the second one. I shot my first pano with a RRS nodal slide the other day with my Contax and Sinar e75, and was surprised at the lack of dof on a Contax 45mm at f11.

I may have shot at f16 - sorry, I can't remember. In any case I didn't use focus bracketing this time. (I never have with a pano).
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Frank Doorhof

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« Reply #984 on: June 18, 2009, 03:15:05 am »

Love it Patrick.
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PLLove

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« Reply #985 on: June 18, 2009, 06:33:26 am »

Quote from: Frank Doorhof
Love it Patrick.

Thanks Frank!
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jonstewart

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« Reply #986 on: June 18, 2009, 07:45:36 am »

Quote from: mcfoto
This is the work we did for ANTM that is on eBay for a charity auction ( good cause). Shot with the 1DsMKIII.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...alenotsupported
Denis

That's a lovely concept and execution, Denis, and great selling it for charity.
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Jon Stewart
 If only life were so simple.

Frank Doorhof

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« Reply #987 on: June 20, 2009, 02:02:41 pm »

3 from today

RZ67ProII / 180mm / Leaf Aptus 22
« Last Edit: June 20, 2009, 02:05:43 pm by Frank Doorhof »
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PLLove

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« Reply #988 on: June 20, 2009, 06:16:20 pm »

Quote from: Frank Doorhof
3 from today

RZ67ProII / 180mm / Leaf Aptus 22

Nice Frank!
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shutay

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« Reply #989 on: June 20, 2009, 10:04:18 pm »

Quote from: Snook
Hey Graham they look  really nice. Are you stitching with a paroramic head or just by hand.
Been just starting to get into stitching but not sure if it is absolutely necessary to have the Pano head or Pano extension thingy.
Any suggestions or help? How do you approach the shot or in other word how did you approach that shot?
Thanks a lot
Snook

Snook

Those were questions that were in my mind too - I've been experimenting with this too since my widest lens is a 50mm , I would try to get a 40mm or the elusive 35mm soon.

My own experience is that I've tried both with and without a pano head. The pano head I have is the Manfrotto 303Plus. As Graham says, if there are nearby objects then you will need a pano head, or at least, some way to compensate for parallax when you pan. I find that finding the no-parallax point of a lens can be a fair bit of experimentation too. Once you find it, mark it or record it somewhere. If you get it wrong, the pano head won't help you there either...

I still remember Graham's stitched shots of a car in a street, I thought that was impressive especially since he did it without a pano head but can't find it anymore...
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uaiomex

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« Reply #990 on: June 20, 2009, 10:05:52 pm »

Love the third one.

Quote from: Frank Doorhof
3 from today

RZ67ProII / 180mm / Leaf Aptus 22
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AndreNapier

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« Reply #991 on: June 20, 2009, 10:54:09 pm »

I have not been posting here for a while so here it is:
This from our collaboration with actress Izabella Miko ( Coyote Ugly ) for ECO Movement. Production for Newsweek Poland.
Andre Napier
http://AndreNapier.com
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AndreNapier

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« Reply #992 on: June 20, 2009, 10:57:17 pm »

Another image from the same session:
Andre Napier
http:AndreNapier.com
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AndreNapier

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« Reply #993 on: June 20, 2009, 11:01:22 pm »

...and a little art work for you guys
Andre Napier
http://AndreNapier.com
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gwhitf

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« Reply #994 on: June 21, 2009, 12:54:32 am »

My goodness -- we've now got dueling logos. Photographs are not cattle -- why do we feel the need to brand them? Where's the love? Where's the respect for the image?

Smiley thing here. Kinda. Kinda not.
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Frank Doorhof

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« Reply #995 on: June 21, 2009, 02:25:02 am »

Quote from: gwhitf
My goodness -- we've now got dueling logos. Photographs are not cattle -- why do we feel the need to brand them? Where's the love? Where's the respect for the image?

Smiley thing here. Kinda. Kinda not.

Because some photos turn up on several photosites or collections as shot by another photographer.
And of course also to get a bit of attention to the site of the shooter :-)
As long as the logo's are not through the models or as large that they take away from the shot I think there's nothing wrong.
If you don't like it, no problem you can post without
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PLLove

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« Reply #996 on: June 21, 2009, 08:40:35 am »

Quote from: AndreNapier
I have not been posting here for a while so here it is:
This from our collaboration with actress Izabella Miko ( Coyote Ugly ) for ECO Movement. Production for Newsweek Poland.
Andre Napier
http://AndreNapier.com

LOVE THIS!!
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AndreNapier

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« Reply #997 on: June 21, 2009, 11:52:15 am »

Quote from: gwhitf
My goodness -- we've now got dueling logos. Photographs are not cattle -- why do we feel the need to brand them? Where's the love? Where's the respect for the image?

Smiley thing here. Kinda. Kinda not.

Hey gwhitf,
I know that I should ignore it but against my better judgment I will respond:

The love for image starts with days spend on creating a concept of an image in once mind and than it is followed by countless hours of negotiation with fitting model and its reps.
Than comes a love of people from your studio who are responsible for the production of a set, followed by work of people who are proud to do the make-up, hair and clothing.
During the shoot everybody in the studio pours their love to contribute to better image.
After the shoot the love is translated to hours of retouching to create the best work that one is able to achieve.
By the end everybody involved feels like the image is a result of their hard work and love and deserve recognition.
I am Andre Napier, but all of us involved in the production are Andre Napier Studios. Plain and simple.
Unless you snap images of cats or sell right-out all the rights to an image, you brand your professional product the same as every other company in every other field do.
It is call business.
I do not know what stands behind gwhitf but I hope you learned something today.
Andre
« Last Edit: June 21, 2009, 11:55:12 am by AndreNapier »
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ctz

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« Reply #998 on: June 21, 2009, 12:52:50 pm »

andre:
offtopic, probably, don't want to upset you, but your foliolink site doesn't seem to work at this moment. ironically, the same foliolink tamplate works well on mr reverend gwhitf' site.
« Last Edit: June 21, 2009, 12:55:21 pm by ctz »
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Frank Doorhof

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« Reply #999 on: June 21, 2009, 12:55:12 pm »

Quote from: AndreNapier
Hey gwhitf,
I know that I should ignore it but against my better judgment I will respond:

The love for image starts with days spend on creating a concept of an image in once mind and than it is followed by countless hours of negotiation with fitting model and its reps.
Than comes a love of people from your studio who are responsible for the production of a set, followed by work of people who are proud to do the make-up, hair and clothing.
During the shoot everybody in the studio pours their love to contribute to better image.
After the shoot the love is translated to hours of retouching to create the best work that one is able to achieve.
By the end everybody involved feels like the image is a result of their hard work and love and deserve recognition.
I am Andre Napier, but all of us involved in the production are Andre Napier Studios. Plain and simple.
Unless you snap images of cats or sell right-out all the rights to an image, you brand your professional product the same as every other company in every other field do.
It is call business.
I do not know what stands behind gwhitf but I hope you learned something today.
Andre
OMG I was typing the response from my iPhone so I kept it short but you say 100% what I feel.
Amen to that. Couldn't agree more andre.
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