With raw data, the Histogram shows you that, in Melissa RGB, the current rendering instructions and a camera profile. There isn't anything wrong or unusual about what you show here. Once you render everything above into a color space, then you'll see the effective Histogram of all that. So if you were to render and encode into a gray gamma* color space as, say, a TIFF, now you'll see a different Histogram with 'no colors' in it. I'm not sure why anyone would even want a 'monochrome' single-channel grayscale document, but that is possible.
*You'd likely have to do this in Photoshop or similar, as I don't see that LR/ACR exports anything but RGB profiles.