I'm not entirely sold on it myself.
It looked great on the back of the camera. I post-processed for a colour tone similar to what you'd get from old-school colour slide films - something along the lines of Kodachrome - but am wondering if it would do better with more muted tones or another colour palette, perhaps emulating some other vintage film, as befits a scene and subject of timeless nature, little changed from what a traveller in the 1960s might have seen. Certainly, leaving it as is doesn't work - you get an image with all the tonality that a modern camera can produce, but totally devoid of character.