Hello All.
I find Slobodan's first 4 fotos a good example of how to make some order out of all the apparent "tangle". After more then 10 years of swamp photography I know just how difficult it is. (And how much I've struggled.)There's just so much going on among all that fecundity.
However, may I suggest we should consider not only these foto's contents but also our own personal and cultural points of view. I'm guessing most of us on LuLA have an aesthetic preference rooted somewhere back in the early Renaissance, if not before. Maybe swamp fotos require us to stretch our way of seeing. ("Swamp" used to be a very pointed pejorative term. It used to be thought of as less then worthless.)
The first time I saw a Jackson Pollack I said he must be kidding. Where's the legacy of Rembrandt in all that seeming mess?
Anyhow, I'm glad to see swamp fotos and I admire Slobodan's examples.
Richard