Hello,
I am in a bit of an internal battle if I should keep Ergosoft as my RIP. I have two main issues since I have started using Ergosoft and by using, I mean trying to create usable profiles. My issues have been with the profile creation process pre ColorGPS. Let me say, I have been in close contact with Ergosoft support via email and I even went to an Ergosoft on site training in New Hampshire to re-learn all the basics after purchasing the software.
Issue 1—
Too much ink— No matter my settings the Ink Limitation chart is always bleeding and runny at the 240 mark(the lowest suggested). I don't get it. I have tested changes in dither, resolution, dot size, ink limits in linearization, and dot gain. Maybe I don't know how to properly adjust the Dot Size in the advanced settings of the Print Environment...but just not sure. In an effort to get the ink limit not runny I tried manually reducing ink limits and dot gain in the Linearization process and was able to reduce enough to print a usable Ink Limitation chart, but then my inks were so reduced I did not have good Dmax and everything looked flat. Later I tried using Black Point Architect to compensate for this and it did kinda help- but I should not have to do all of this manual ink limiting!
Print Environment settings and Process:
Epson P20000 - Enhanced Matte Paper - Roll - Smooth Dither - 2400x1200 Fixdot (have tested 1200x1200 Varidot with no better result).
Also, I would think that as I am trying to print photographs for fine art purposes I would want to use the highest resolution possible, but 2400x2400 pushes out WAY too much ink.
~ First I make two initial linearizations (18patch and 36patch), scan each 2-3 times, M1 dual scan with i1Pro2. Dot gain of 20%. I use Auto Limit on the 36patch set.
Next step is printing the Ink Limitation chart and as I said, ink is bleeding and wet at 240. I have tested printing LAB gradients using these linearization and 240 ink limit and still ink bleeds at the dense parts of the gradient.
Issue 2—
Visible Dots— There is a dot "texture" in some areas of smoother tones and I am not sure I like it. I am not sure if this is a native aspect of how Ergosoft rips? The dot pattern is just different and has more noticeable dots than the Photoshop driver? In my opinion the Photoshop driver renders things with a "tighter" dot pattern. The Ergosoft print was made using a profile made via ColorGPS with GCR4 at around 1200 patches. I have attached pictures to illustrate my point.
The photos marked Ergo are from Ergosoft, the photos marked M are printed with Mirage, which uses the Photoshop driver.
Highlighted Issues:
• Areas of smooth gradient have visible dots
• Poor gradients in subtle tones
Causes:
• Dot size?
• Ink limitation?
• Dot gain?
- - -
Sorry if I have left any info out, I can elaborate if needed.
Lastly, Ergosoft support has been too generalizing in their help and does not seem to want to put in the time to sort out my specific issues, so I would appreciate any insight that could be given to either issue.
Thanks!