Where the end result of a raw conversion is a black and white image (for every pixel, R=G=B), does it matter what color space the image is exported into? I think stating the same question somewhat differently, among sRGB, Adobe RGB, ProPhoto RGB, and any other common, standard color space, is there any difference among the darkest black and/or the whitest white that can be described?
With all due respect to Nigel Tufnel, I'm asking whether he was correct in saying, "There's something about this that's so black, it's like how much more black could this be? And the answer is none. None more black." (This is Spinal Tap (1984))