denalilap,
IMO it doesn't pay to become overly concerned with numbers/specs, rather one should pay attention to the process, and here is my recommendation:
1. Set up a viewing environment, good illuminants (Solux qualifies), and reasonably bright.
2. Print a reference image thru a properly color managed system, on your printer. I use PrinterEvaluationImage_V002_ProPhoto.tif.
3. Now the hard part. Your system display should be in a somewhat dim (not dark) environment, with the print viewing illumination nearby but not shining on the screen. Calibrate and profile your display until you achieve a reasonable visual match between it and the print, with the evaluation image loaded into Photoshop in soft proof mode thru the same printer profile used to produce the reference image. Concentrate mostly on brightness and tone, you'll drive yourself nuts trying to exactly match all colors.
That's it, other than perhaps reading Andrew Rodney's tutorial on such.
Or you can obsess over degrees Kelvin, illuminant brand, etc. Nothing wrong with paying attention to the details, but remember the goal - produce an image on your display that will enable to you create a good print on the first pass (ok, I confess, sometimes I re-print).
Richard Southworth
Added by edit - I have my monitor calibrated to D50 chromaticity, and very dim, 50 L. This isn't supposed to work but I'm weird.