Most of us are familiar with the concept of demosaicing or debayering. Demosaicing is a bit of a misnomer as it suggests the imagedata was fully intact and complete initially, and that this complete data was scrambled into a mosaic and only needs unscrambling to become a complete image again.
As we know, this is not what happens, instead we have a subset of samples from which we need to extrapolate additional samples to recreate something that resembles the original image. The subsamples are ordered in a regular grid which allows a demosaic algorithm to infer the remaining samples from partial data at each sample location.
Fuji has been creative with this concept in the past and once came up with something called a superCCD which basically interspersed smaller sensels between larger sensels to increase the dynamic range potential by having the less sensitive smaller sensels take over where the more sensitive larger sensel may already have clipped.
Which brings us to the new mirrorless offerings with PDAF sensels. They apparently tend to be slightly darker than the other sensels which may result in a visible pattern under some (currently rare and extreme) circumstances
IF (and that's a big if for emphasis) the raw converter does not account for the difference.
If the raw converter however does account for the difference, it suddenly has some interesting additional data at its disposal when recovering the original image. This additional data namely extends the available dynamic range.
Therefore, contrary to what is suggested in
this article over at dpreview, the dynamic range of the new Nikon Z isn't less than its brethren but actually has more dynamic range, provided of course that the raw conversion process makes use of the additional “information” or at the very least should compensate for it.