Doesn't matter. Nothing does. The current meme is "Truth Decay"And it doesn't end with still pix and the cloning tool.http://www.cbc.ca/news/technology/deepfake-politics-1.4731665
Speaking of three seconds, I use to set the time length for my digital slide show on the HDTV of vacation pictures to 5 seconds for each "slide". I used 1 second cross dissolves but that's included in the five seconds. Two vacation ago, I changed the length to 4 seconds with the same one second cross dissolve. For my last trip to the southwest national parks, I set it at three seconds. I find 3 seconds moves the show and people don't get bored (at least I hope so. ). 4 and 5 seconds per shot is too long. For a few special pictures, I'll set the time to 4 or 5 seconds because they're particularly nice. But otherwise, each of the slides are set for three seconds including the one second cross dissolve. Most photographers, myself included, think too highly of their work.
Well, Uelsmann's work is so obviously composite, everyone understands what's going on. It's when the final image appears perfectly normal but in fact was a composite or some other digital manipulation beyond the boundaries of simple exposure adjustments and cropping that we get into these arguments about photography vs. digital art.
And I think that unless it's done for fraud, then so what? Art is one thing, and the declaration of fact another. Either way, film or digital, people have always been able to photograph from an agenda-driven perspective; even when trying their best not to, it comes through via framing, juxtaposition of content. How can anyone avoid being themselves?
What does it mean when you say the photo communicates?
The fact is digitally manipulated photographs sell better than their straight version.. Call it what you want I dont care http://www.douglasdolde.com/-/galleries/joshua-tree-np/-/medias/dd17b825-6e45-47fb-8fd0-5b0741f93b93-electric-cholla