I've been playing with DaVinci Resolve lately for video editing, and it's white balancing facility (particularly its Scopes window - a diagrammatic rendering of the amount of red, green and blue in an image) is superb. Basically, you simply equalize the amount of R, G and B while looking at the Scopes window and you're pretty much in the ballpark.
This got me thinking.......
Like most people, I use a neutral card in critical situations. This gets me in the ballpark, and I then tweak Kelvin and/or Tint to fine tune the result.
But, try this.......
In Levels, click on the Red channel. Now move the highlight slider in to the left until an area of highlight in the image starts to show highlight warning. Move it back to the right
just enough to remove the highlight warning.
Now do exactly the same thing for the green and blue channels.
Use Alt/Levels Reset to compare before and after.
Better still, create a New Variant before you start. Correct one using this method and the other using the White Balance tool. Then compare.
Notice any difference? I do.
This is about as close as I can get to a DaVinci Resolve-type white balance.
It may be old hat to some of you, but I hadn't tried it before. I really like what I see, but I could be imagining things!
Note:
1. This has no effect on the RGB Levels tab. It's still zeroed out. You're still free to edit overall contrast using it.
2. It has no effect the White Balance tab. It will still read as Shot.
Any thoughts?
D.