Lame Instagram too. In 7 years only one pic, and that one's a focus test.
-Dave-
Thanks for the link; I enjoyed most of it until it became obvious that the writer, too, had no idea when to quit. Or he was being smart, and proving his point without writing so.
Regarding "Adoration..." I have to say that I hold a different opinion: I think the artist was simply developing a new genre, a new style of graphic representation - almost an entirely new school of it. Perhaps it isn't unfinished at all, but very much completed in the new style. I like the concept a lot - almost photographic in the digital sense, because as we all know, a digital picture need never end (be completed), which is also its own greatest failure: the temptation to mess yet further is almost irresitible, if only because it's cheap and eminently undoable which, of course, is not the case with a wet print unless you include ferri in the afterwork... oh yeah, the new school of painting scored because its main man
did resist temptation and stopped before going over the edge. It was the entire point.
(As my fading hope about Brexit, and its dreadful effect on my savings and my pension. Yep, I notice because of constant currency exchange needs stuffing it in my face; those still in the UK have escaped nothing: they just don't notice it yet in the sense of its true attribution and implications because the exchanging is being done, invisibly, by somebody else on their behalf: they think in terms of nebulous concepts such as inflation, full employment etc. and buzz words such as hard or soft Brexit without really seeing the inescapable damage already done to the finance and business sectors that fuel everything else. They expected instant measurements to prove or disprove...)
The Mona Lisa must have known: it's in her face.
Feel much brighter now, off to make a Nescaf' and suck on a biscuit.
;-)
Rob