That's right, Rob, I hadn't noticed the distortion in the roof - probably though it was part of the wood construction. I'm sure the tracks weren't warped.
Ron, I'll send this (uncorrected) photo to FujiFilm, Germany to get their input. They've been helpful and quick to respond with former queries I sent them.
Rob, whilst I prefer fast lenses in order to shoot wide open, many such lenses seem to distort a great deal more than their
slower siblings. I'm not pleased about the philosophy of companies which add lens correction during post processing. Maybe that's one reason I always loved my Leica lenses, regardless of on analog bodies or attached to digital ones. The lenses themselves are corrected (so it was explained to me). Often little things matter: I preferred the Nikon 105/4 micro to the newer and faster 2.8 version simply because of the built-in lens shade. I absolutely detest most current lens shades!