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Author Topic: Loving Long Exposure  (Read 4433 times)

Rand47

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Loving Long Exposure
« on: September 12, 2015, 09:19:05 pm »

Thanks for featuring this work!  There is something about the potential for mood and mystery in LE work that is compelling.

Lucas Haynes, one of the photographers I print for, does beautiful work in this arena and I think you all might appreciat him as well:

http://www.lucashaynesphotography.com

Rand
« Last Edit: September 12, 2015, 11:25:50 pm by Rand47 »
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Jeremy Roussak

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Re: Loving Long Exposure
« Reply #1 on: September 13, 2015, 01:45:28 pm »

I too enjoyed the article; and thanks for the link.

Jeremy
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Paulo Bizarro

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Re: Loving Long Exposure
« Reply #2 on: September 14, 2015, 04:06:54 am »

Good article, LE in landscapes is one of my favourite subjects.

GrahamBy

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Re: Loving Long Exposure
« Reply #3 on: September 14, 2015, 05:21:16 am »

Taste is of course a personal thing: I'm very much over LE, especially LE with water. It has become a cliché for me.

The other thing that I instinctively react against is incoherence in an image, which is why I typically don't like photos pasted together from multiple sources, unless they are done very, very well. It's not about "cheating", it's that if I see a landscape where the shadows in the foreground don't correspond to the position of the setting sun in the background, it just feels wrong. So for the example of the wind-turbine... I prefer the version with the "washed out" blades. The superposition looks silly to me... even without considering the blown-out mast.

But as I said, personal taste.
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Jeremy Roussak

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Re: Loving Long Exposure
« Reply #4 on: September 14, 2015, 03:00:29 pm »

The other thing that I instinctively react against is incoherence in an image, which is why I typically don't like photos pasted together from multiple sources, unless they are done very, very well. It's not about "cheating", it's that if I see a landscape where the shadows in the foreground don't correspond to the position of the setting sun in the background, it just feels wrong. So for the example of the wind-turbine... I prefer the version with the "washed out" blades. The superposition looks silly to me... even without considering the blown-out mast.

I must say that I agree with you: I very much prefer the non-composite version, although I've not tried to work out why.

Jeremy
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