Luminous Landscape Forum

The Art of Photography => The Coffee Corner => Topic started by: Nick Walker on December 30, 2018, 05:52:00 am

Title: Unseen Color Photos East End London David Granick 1960-1980
Post by: Nick Walker on December 30, 2018, 05:52:00 am
https://www.bbc.co.uk/news/in-pictures-43141667
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: RSL on December 30, 2018, 07:11:32 am
Great stuff, Nick. Thanks.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: Slobodan Blagojevic on December 30, 2018, 10:10:29 am
Funny... Mile End Road 1977 looks like any small-town America, even today.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: OmerV on December 30, 2018, 10:17:28 am
Wonderful find. As the accompanying text suggest, there’s a sense of change and maybe foreboding in the pictures. One thing I noticed, at least in the shown set, is how few women appear in those pics which, to me, adds to the sense of apprehension.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: RSL on December 30, 2018, 10:44:05 am
Right, Omer. A shortage of women always leads to a feeling of unease.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: Slobodan Blagojevic on December 30, 2018, 10:47:09 am
Right, Omer. A shortage of women always leads to a feeling of unease.

 :D

Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: Alan Goldhammer on December 30, 2018, 11:10:20 am
Funny... Mile End Road 1977 looks like any small-town America, even today.
Or parts of downtown Detroit.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: Rob C on December 30, 2018, 12:12:04 pm
Those cars do it for me: VW; Triumph Herald; Ford Cortina; Jaguar; Humber Hawk or Snipe; Sunbeam; Anglia and either an 1100 or 1300 Morris or other Leyland product of badge engineering.

Surprisingly unsharp, really. The verticals suggest a shift lens that was certainly available then, or perhaps the verticals were done much later on by somebody else in PS. If Kodachrome, as is suggested, then it must have been one or the other of the above; I can't think of another way to have used it except in 135. It was available in the UK, briefly, in 120 format, but then it would have created another set of alternatives such as film backs on a tech. body and would have been crisp enough to cut your fingers. However, the image shape does suggest other than 135, I think.

The shot that includes the Sikh gentleman shows a distortion on the light building on the left that I seem to find familiar from my Nikkor 35mm shifter.

Must be the silly season again, right enough!
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: KLaban on December 30, 2018, 12:15:13 pm
When I compare the images here to those burned into my memory the look is cleaner and verging on the contemporary.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: Rob C on December 30, 2018, 12:21:43 pm
When I compare the images here to those burned into my memory the look is cleaner and verging on the contemporary.

I think Don McCullin would agree with you!
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: OmerV on December 30, 2018, 05:20:52 pm
Right, Omer. A shortage of women always leads to a feeling of unease.

Well Russ, I didn't say always. But in those particular pictures, which already have a sense of foreboding, yeah, the absence of women does add to the tension.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: Slobodan Blagojevic on December 30, 2018, 05:36:03 pm
... the absence of women does add to the tension.

Or relief, depends on one's point of view.
Title: Re: Unseen Color Photos East End London David Granick 1960-1980
Post by: LesPalenik on December 30, 2018, 10:26:10 pm
Well Russ, I didn't say always. But in those particular pictures, which already have a sense of foreboding, yeah, the absence of women does add to the tension.

In many cases, also to the net asset value.