Rob,
All you've got to do is click on those links, I'm sure you'll enjoy a lot of the photography. Best of all - it's waffle free! [/light-hearted-quip]
Yes, I'm familiar with these people; however, there's a massive problem associated with so much of contemporary fashion photography, which is that the influence of Photoshop has made snappers almost all end up looking like one person.
It's one of the reasons that I like Hans Feurer, Peter Lindbergh and Albert Watson, along with Sarah Moon; they still appear able to hang on to identify, though I gather at least two of them have pretty much left fashion behind. I understand it comes down to being contemporary etc. but people used to be able to be contemporary yet individualistic, too.
Truth to tell, though I would love to be back shooting fashion, I couldn't get into the current way. I'd still be the same old me but with different models. Models; yes, never overlook the huge difference they make to any photographer's work. Would Bailey have become Bailey without Shrimpton? I often think about that.
However, I think I have zero interest in shooting pin-ups anymore, not that I do, of course. And even there, the input of the right model made me look good, whereas being stuck with somebody I hadn't chosen and/or felt nothing for, was a nightmare.
Could be an age thing, though, but I do like seeing pretty women even if I'm not photographing them. Probably more than if I were working with them. I guess everything has its time.