Realizing that any shot is a political statement is exactly that: realizing that "what you're trying to tell" is something both on the world and on yourself and that you're telling that to other people.
From that realization one can start asking many questions: "how can I tell it better?", "how does it get perceived?", "How much truth is in what I'm telling?" and so on.
This is starting to sound like some third year undergrad trying to sound deep and profound.
Why do you have to 'realise' it is 'political' in order to understand what you are trying to tell other people? I will rephrase your comment:
realizing that "what you're trying to tell" is something both on the world and on yourself and that you're telling that to other people and work out how can I tell it better?", "how does it get perceived?", "How much truth is in what I'm telling?" and so on.
No political Damascene conversion required at all
I don't know if you have read any of Tom Sharpe's humorous novels but a common central theme is a weak timid man being led into comic situation by his infatuation for a strong minded woman. Way back in the 90s he was being interviewed by an art critic and the jist of the discussion was:
Critic: what are you trying to say about society and the relationships between men and women
Sharp: nothing
Critic: surely you must be. All your books have the same basic plot
Sharp: I am not saying anything about society
Critic: you must be saying something
Sharp: Why? I am writing books around a theme I find funny and it seems other people do as well
Critic: but you must be saying something about these relationships because it is a recurring theme
Sharp: No. If you want to read that is OK but that is not why I write these books. I write them because I find the theme funny
Tom sharp said 'I'm not