Blue/yellow as expressed on the Kelvin scale is one thing, but the D series standard illuminants are also defined on the green/magenta axis.
I've yet to see or own a monitor that hits the right green/magenta color balance natively - not even the Eizo CG246 that I'm using now (ever so slightly too green for my taste). This is of course because it depends on the total perception including ambient light and viewing conditions.
The goal is to match printed output, and for white point that means paper white. The rest will follow; neutrals down the tonal scale are adjusted to the same chromaticity.
And of course, the same goes for white point luminance. You should "see" paper white on screen.
Whatever calibration targets get you there are the right ones, and there's very little chance that any of the presets will be spot on.