If a photographer, using their new DSLR or Mirrorless camera, takes photos of the eiffel tower and wants to display them on the web, or make 5x7 prints, and that's as far as they are going to venture with their image use, should they use sRGB or AdobeRGB? Is anybody here going to answer AdobeRGB?
If this person shoots in AdobeRGB and makes prints in AdobeRGB, will they look visibly better than an image taken all in sRGB space?
I'm running the tests and publishing them. And Andrew Rodney says, if there are thousands of labs printing in sRGB, they're all wrong but Andrew is right. And Will Crockett is wrong. And Ken Rockwell is wrong. Yet he cannot and will not say that an image shot in AdobeRGB and printed on AdobeRGB equipment will look visibly superior to the sRGB print.
You can send your color balls that were carefully managed to me (private me for the address) but is this straight from the camera? I've said countless times - the video is to answer the question of why photographers complain of dull color prints as soon as they switch the color space from sRGB to AdobeRGB in the camera. The illustrations I used in the video and the terms, "Muffin top", "Wide Rainbow" are meant for the person new to photography to understand.
Look at the pages and pages and pages of words that Andrew Rodney writes. Does the consumer want to go through all of that technical training - to produce prints that even this forum admits that there is very little difference in output
That is the point of my video, and the upcoming video. It is to show that while AdobeRGB is a wider space, in practice the benefits from working such a workflow gives minimal benefit if any.
Not one of you, not a single one, can say that AdobeRGB will make visibly better prints when taken straight from a camera file. Not a single one of you can say it, that's why you say that my test will already be "rigged" or "flawed".
I understand that Mr. Rodney will maintain that he's right and the rest of the world is wrong, til the end of his days. He is not even a professional photographer. Therefore, in practical terms for the practical photographer, all of this extra fuss is not worth the time invested in the training or even the output.