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Author Topic: Joe Taranto's  (Read 2200 times)

RSL

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Joe Taranto's
« on: November 20, 2013, 05:23:05 pm »

.
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Christoph C. Feldhaim

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Re: Joe Taranto's
« Reply #1 on: November 20, 2013, 05:42:57 pm »

First impression: I like it.
Second look: I still like it - but the fore(ground) and the tree left are a bit too crunchy for me.
Slight Blur maybe?

Cheers
~Chris

RSL

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Re: Joe Taranto's
« Reply #2 on: November 20, 2013, 07:17:31 pm »

No, no blur needed, Chris. It's not even much sharpened -- just initial raw sharpening. It's from the D800, and it's just very detailed. Unfortunately the .jpeg conversion degrades it a bit.
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Eric Myrvaagnes

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Re: Joe Taranto's
« Reply #3 on: November 20, 2013, 11:21:56 pm »

At least Joe doesn't advertise that his seafood is fresh.
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Christoph C. Feldhaim

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Re: Joe Taranto's
« Reply #4 on: November 21, 2013, 01:35:21 am »

No, no blur needed, Chris. It's not even much sharpened -- just initial raw sharpening. It's from the D800, and it's just very detailed. Unfortunately the .jpeg conversion degrades it a bit.

I had this in several images of mine.
Thats why I changed to "bicubic" instead of "bicubic sharper" when downscaling for the resampling - against the recommendation.

Ed Blagden

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Re: Joe Taranto's
« Reply #5 on: November 21, 2013, 01:59:46 am »

Minor nit - there is a dust bogey in the upper left.
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Rob C

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Re: Joe Taranto's
« Reply #6 on: November 21, 2013, 03:51:41 am »

Great image, Russ, and part of the heritage in photography that America does so well.

Rob C

ned.ward

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Re: Joe Taranto's
« Reply #7 on: November 21, 2013, 04:45:35 am »

There's a bright and "bleached" air to this. Despite the seafood element it has a "parched" quality in my mind and yet there isn't a lot of contrast usual in bright light shots.

I like it, another good advert for the D800.

Ned
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RSL

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Re: Joe Taranto's
« Reply #8 on: November 21, 2013, 09:40:59 am »

Minor nit - there is a dust bogey in the upper left.

Thanks, Ed. Time for a sensor cleaning. You'd think I'd learn, but maybe age has something to do with it. The damned spots don't show up at all in the color versions of things like this, and long ago I learned that after I make a B&W conversion I need to look at every inch of the sky, etc., for dust spots that suddenly show up. I missed that one completely.
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Rob C

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Re: Joe Taranto's
« Reply #9 on: November 21, 2013, 11:22:23 am »

Perhaps you shouldn't change lenses outdoors? I only change them in the office after much brushing with an old lab brush that my wife gave me, and assured me reduced static to zero. She knew about these scientific things.

Surely the 800 has a vibrator too? I better rephrase: surely the camera has a sensor shaker that you can set, à la D700, to vibrate when you switch on and also off?

Fate, I tempt thee not, but I haven't had such problems so far; even the D200, devoid of such - aids - never gave me a problem with dust. To think that digital gave us bunnies in place of hairs in the gate. That makes more sense spoken.

Rob C

RSL

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Re: Joe Taranto's
« Reply #10 on: November 21, 2013, 12:01:30 pm »

Hi Rob, Unfortunately I had to make several lens changes when I was shooting this past summer in the Cripple Creek goldfields. Not only that, but the area is pretty dusty. But I'm extremely careful about lens changes, especially in the field, where I hold the body with the opening down, and blow off the back of the lens with a hand blower before I attach it. Considering its size and softness this particular spot may not be dust. Every Nikon DSLR I've had: the D100, D2x, D3, and D800 has started its life by occasionally throwing lubricant on the sensor for the first couple thousand shots. I've always thought it was oil, but I've been informed that it's a dry lubricant, maybe like powdered graphite. I suspect I'm not out of the lubricant phase yet with the D800. The D3 finally settled down and I didn't need to wet-clean its sensor for about four years. I've wet-cleaned the D800 at least 3 times, and I suspect it's time to do it again. One problem is that when I shoot a blank, blue sky at small aperture, the color version of the shot doesn't show a problem. It's only when I convert to B&W that the problem starts to show up. And even then, it's easy to miss a spot. But I should have seen the spot in this picture.

And yes, the D800 has a "shaker," but in my experience it's been almost totally useless, unlike the shaker on my Olympus E-P1, which really does the job. On the E-P1, though, I almost never change lenses. It lives with its 25mm Summilux, which is the equivalent of a 50 on a full-frame.

Yes, hairs in the gate is pretty technical stuff. I suspect someone who's never worked with film cameras might think it's obscene.
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Rob C

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Re: Joe Taranto's
« Reply #11 on: November 21, 2013, 01:58:28 pm »


Edited quotation reads:

Hi Rob, Unfortunately I had to make several changes this past summer in the Cripple Creek goldfields. Not only that, but the area is pretty dusty. But I'm extremely careful about changes, especially in the field, where I hold the body with the opening down, and blow off the back with a hand blower.

Yes, hairs in the gate is pretty technical stuff. I suspect someone who's never worked with film cameras might think it's obscene.



Not to mention what someone might do with naughty editing!

;-)

Rob C

AWeil

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Re: Joe Taranto's
« Reply #12 on: November 21, 2013, 06:03:01 pm »

Mm, Joe Taranto Seafood. Thank you, Russ,  for this wonderful image.
20 years ago, the door was open, the windows had glass and cats were waiting for bits of fish.
The attached picture is a scan from negative film (Fuji Reala), taken 1992with the first Nikon offering autofocus (Nikon 2020)  - light-years away from the D 800.
Best
Angela
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Harald L

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Re: Joe Taranto's
« Reply #13 on: November 21, 2013, 06:09:49 pm »

Don't know why but I just must imagine how Selma Hayek does a breathtaking table dance in that hut.

After dark at Joe Taranto's
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AWeil

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Re: Joe Taranto's
« Reply #14 on: November 21, 2013, 06:33:33 pm »

Yea, sort of - but that type of music is more South-West than Southern, no? We are talking Pensacola here - which is different.
Greetings to Hamburg from Heidelberg, Germany
Angela
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RSL

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Re: Joe Taranto's
« Reply #15 on: November 21, 2013, 07:38:03 pm »

Thanks, Angela. I had a picture in my mind of what this place probably looked like when it was in operation, and your scan pretty much confirms my impression. I've been visiting Florida since the forties, and the old days -- when you could go into a shack roadhouse and have lunch with all the shrimp you could eat for six bits -- are gone forever. I've gotta admit I sort of enjoyed those old laid-back days. But on the upside, the roadside zoos that used to torture various critters are gone.
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Ed Blagden

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Re: Joe Taranto's
« Reply #16 on: November 22, 2013, 01:36:10 am »

Thanks, Ed. Time for a sensor cleaning. You'd think I'd learn, but maybe age has something to do with it. The damned spots don't show up at all in the color versions of things like this, and long ago I learned that after I make a B&W conversion I need to look at every inch of the sky, etc., for dust spots that suddenly show up. I missed that one completely.

No worries Russ - by the way I like the image.  Really I do.  But I don't know why I like it so cannot critique.

Incidentally, coolest new feature in Lightroom 5 is the Visualise Spots mask in the Develop Module.  This alone makes LR5 worth the upgrade price IMO.
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Rob C

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Re: Joe Taranto's
« Reply #17 on: November 22, 2013, 04:42:19 am »

Don't know why but I just must imagine how Selma Hayek does a breathtaking table dance in that hut.

After dark at Joe Taranto's


Now that is the most cruel cut of all!

You jog my memory of the world's sexiest snake-dancer and then withdraw the offering, only to replace it with a friggin' poster!

How could you? Life can never be the same again.

Rob C

Rob C

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Re: Joe Taranto's
« Reply #18 on: November 22, 2013, 04:44:19 am »

Mm, Joe Taranto Seafood. Thank you, Russ,  for this wonderful image.
20 years ago, the door was open, the windows had glass and cats were waiting for bits of fish.
The attached picture is a scan from negative film (Fuji Reala), taken 1992with the first Nikon offering autofocus (Nikon 2020)  - light-years away from the D 800.
Best
Angela


Heysoos! It didn't look any the more sanitary when it was open!

One to avoid.

;-)

Rob C

AWeil

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Re: Joe Taranto's
« Reply #19 on: November 23, 2013, 07:10:44 pm »

Rob, actually, no, not one to avoid. The quality of the fresh fish offered in places such as this was excellent - way better than anything available today (in Heidelberg - far away from any coast) which is a lot of sanitation and little fish :-))
Best
Angela
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