Well, as you know, I hate to be insulting, Rob.
;-)
I was just reading again the introduction to the
Interiors part of Leiter's two-volume book of black/white photographs. The essay is well written as essay, but as I happen to have been a Leiter fan since about '59 or '60, I take exception to the way the essay runs. It, in my opinion, is full of curator-speak and probably does more to confuse and misinform than would something totally straightforward. I find there's sometimes something really nasty about art-writing, where the writer tries to create a personality for his subject that
is a creation, a fabrication or projected extention of the person. This seems to me to be the case here, where the few Leiter video interviews I have found would appear to reveal a man with a very less planned approach to his pictures than the writer suggests. From the horse's mouth, photographs were simply things seen, moments caught on the hop. He saw what was there. In fact, I get the distinct impression that Leiter's entire life was something that happened to him more than anything he planned. I didn't know anything of this when I first saw his work and fell in love with it, but he was still a young guy then, and so time hadn't played out its longer game. For either of us.
In fact, I go as far as to say that at least part of the later attraction I feel to his work is exactly because of his attitude, which, truth to tell (and as much as one can ever know of it from afar), pretty much mirrors my own, where planning has never been a big thing. Many of the good things have come to me by themselves, where many of those I chased so hard always eluded me.
The older I get the more I come to believe that what's for you will come to you and what's not never will. But, regardless, you still have to keep trying. Just like the lottery: you gotta be in it to win it.
Rob