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Author Topic: Re: Recent Professional Works 2  (Read 1211683 times)

calindustries

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Re: Recent Professional Works 2
« Reply #1540 on: November 18, 2014, 12:48:56 pm »

new shot for one of my clients (a leggings company)
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calindustries

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Re: Recent Professional Works 2
« Reply #1541 on: November 18, 2014, 12:50:34 pm »

and another....
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KAHA

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Re: Recent Professional Works 2
« Reply #1542 on: November 19, 2014, 06:06:39 am »

love the Erica M Legwear project, nice work Craig. 
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SecondFocus

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Re: Recent Professional Works 2
« Reply #1543 on: November 19, 2014, 09:15:20 pm »

I really like the work on your website as well!

Can I ask what you are shooting with? Just curious.

and another....
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Ian L. Sitren
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calindustries

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Re: Recent Professional Works 2
« Reply #1544 on: November 20, 2014, 01:46:04 pm »

I really like the work on your website as well!

Can I ask what you are shooting with? Just curious.


These specific shots are off of a Credo 40 on H4x with 35-90. My site is a mix of that set up and 5dMKII/MKIII. I had a some RZ/160NC stuff there until recently. Thanks!
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ACH DIGITAL

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Re: Recent Professional Works 2
« Reply #1545 on: November 20, 2014, 03:35:55 pm »

Another from Fort Lauderdale House.



ach
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Antonio Chagin
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MrSmith

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Re: Recent Professional Works 2
« Reply #1546 on: November 27, 2014, 05:49:13 am »

a very sexy victoria arduino espresso machine cover shot, a lot of recent work is still under embargo so can’t show, have shot some nice stuff for WIRED mag which i can share in the new year.

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Chris Barrett

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Re: Recent Professional Works 2
« Reply #1547 on: November 27, 2014, 08:49:50 am »

Recent office interior.  Nice, simple space.  Sony A7r, Canon 17mm TS-E.



CB

LKaven

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Re: Recent Professional Works 2
« Reply #1548 on: November 27, 2014, 06:32:54 pm »

new shot for one of my clients (a leggings company)

Your leggings shot is on good footing.

Slobodan Blagojevic

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Re: Re: Recent Professional Works 2
« Reply #1549 on: November 28, 2014, 01:03:50 am »

Recent office interior.  Nice, simple space.  Sony A7r, Canon 17mm TS-E...

Chris, two questions, if you do not mind. First: WB seems targeted to produce very neutral, white interior light, almost to the point of being too cold, sterile. Which in turn results in the daylight, through the windows, turning blue. While the blue can be pleasing, I always thought that slightly warmer interior light is preferred by most people. Do clients (or this client) insist on cold and neutral?

Second question: any issues with shutter vibrations with A7r?

Aphoto

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Re: Recent Professional Works 2
« Reply #1550 on: November 28, 2014, 04:06:07 am »

The Prussian House of Lords, since 2000 again the "Bundesrat" (Federal Council) of Germany in the center, in the face of a new big shopping mall in the front (Mall of Berlin).



Aptus II + Ts-e 24mm
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haefnerphoto

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Re: Recent Professional Works 2
« Reply #1551 on: November 28, 2014, 09:14:19 am »

The Prussian House of Lords, since 2000 again the "Bundesrat" (Federal Council) of Germany in the center, in the face of a new big shopping mall in the front (Mall of Berlin).



Aptus II + Ts-e 24mm

Adrian, This shot had me looking at your site and all of it looks great!  I had a German intern for the last year who's now back in Berlin, his name is Auri and I recommend him highly.  I just sent him a link to your site.  Jim
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Chris Barrett

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Re: Recent Professional Works 2
« Reply #1552 on: November 28, 2014, 09:54:21 am »

Slobodan,  Yo do often see a skewing of the WB towards warm for many uses.  If I was shooting for a hotel brochure, for example, I would go with a much warmer look as it can be much more inviting.  For interior architects, so much of what they do is specifying the colors of the space.  If I arbitrarily shifted everything warmer, it wouldn't render their work accurately.  So, yes, my clients all expect the images to be neutral with accurate color.

I've read lots about problems with shutter bounce on the A7r.  This is typically not visible with wide lenses... however I've shot mine with a Leica-R 70-180 2.8 and could find no evidence of shutter bounce softness.  Maybe I got a good one?

CB

ErikKaffehr

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Re: Recent Professional Works 2
« Reply #1553 on: November 28, 2014, 03:18:06 pm »

Hi Slobodan and Chris,

I have looked at a lot of evidence of shutter related vibrations on the A7r on both Lloyd Chambers's site and in Jim Kasson's tests. The impression I have is that it is real, in the 1/8s - 1/250s shutter speed range, but it is not really obvious. It is more like it doesn't show benefits over the A7 which has 24MP. It is measurable but not very obvious.

I would be pretty sure we see new versions of the A7 series in the coming months, indeed, then next A7 version has been presented, with much better AF. According to Sony rumours, a new more professionally oriented, body is to be expected early 2015.

There are a couple of reasons I did not jump on the A7/A7r. I felt the A7 sensor was more up to date. At the time of introduction I also felt some doubt about the Sony lenses. I still do that.

On the other hand, I would expect that we all move to mirrorless in a few years. SLR technology was intended to provide WSIWYG view, and EVF solutions can do it better with simpler means.

Once Sony releases 50 MP (or so) sensors, with EFCS and on sensor phase detecting AF I will jump on the train.

Best regards
Erik



Slobodan,  Yo do often see a skewing of the WB towards warm for many uses.  If I was shooting for a hotel brochure, for example, I would go with a much warmer look as it can be much more inviting.  For interior architects, so much of what they do is specifying the colors of the space.  If I arbitrarily shifted everything warmer, it wouldn't render their work accurately.  So, yes, my clients all expect the images to be neutral with accurate color.

I've read lots about problems with shutter bounce on the A7r.  This is typically not visible with wide lenses... however I've shot mine with a Leica-R 70-180 2.8 and could find no evidence of shutter bounce softness.  Maybe I got a good one?

CB
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Erik Kaffehr
 

ACH DIGITAL

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Re: Recent Professional Works 2
« Reply #1554 on: November 28, 2014, 06:25:17 pm »

The Prussian House of Lords, since 2000 again the "Bundesrat" (Federal Council) of Germany in the center, in the face of a new big shopping mall in the front (Mall of Berlin).



Aptus II + Ts-e 24mm

Adrian, very interesting postprocessing. You get that ethereal look.
ACH
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Chris Barrett

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Re: Recent Professional Works 2
« Reply #1555 on: December 18, 2014, 07:31:38 pm »

I put up an image from this shoot a while ago, but just finally got around to putting together a blog post with the rest of them.  Nice job and was published in Fast Company.



CB

OwenR

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Re: Recent Professional Works 2
« Reply #1556 on: December 24, 2014, 11:10:35 am »

Hey Chris, lovely shot, fantastic tonality. Is the Sony now your typical choice for these corporate interior shoot these days, and do you feel that the difference between something like the Sony and MFDB has really narrowed that much in recent years that they are in the same ballpark in terms of bottomline quality?
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douglevy

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Re: Recent Professional Works 2
« Reply #1557 on: December 24, 2014, 12:47:13 pm »



Dr. Robert Desimone for MIT Technology Review. H5X with Credo 40

Chris Barrett

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Re: Recent Professional Works 2
« Reply #1558 on: December 25, 2014, 12:15:39 pm »

Owen, For that shoot, I was still primarily on the IQ 260 but have used the Sony (on the view camera) exclusively for the last two interiors shoots.  I'm seriously considering selling the digi-back.  I can still use all my great German glass and the workflow conveniences (especially live view) outweigh the marginal quality difference for my commercial work.  

alatreille

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Re:
« Reply #1559 on: December 25, 2014, 02:57:01 pm »

Hey Chris,
Interesting thoughts and I feel conversation to follow...
What is,the widest (tech) lens you've used with the A7r?
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