Well call me smarty pants if you wish. My point is that words have meaning. The snakes are venomous, not poisonous. It is the same discussion we're having about photography. If there is no quarter for making adjustments in Photoshop, then the same applies to words....
Well, who would have thought my lighthearted quip would excite so much comment!
Nonetheless, it is cogent to note that venomous and poisonous are definately both valid in the context in which I used it.
I too value the meaning of words and as such my choice of words are carefully chosen.
I do find however that meaning what one is saying and saying what one means is no guarantee that one will not be misunderstood - sometimes wilfully so.
As far as I am concerned the issue of postprocessing techniques has nothing to do with techniques themselves but rather the ethics of their use.
In landscape, and, in my opinion, wildlife and bird, photography one does need to be open and honest about one's approach.
This should not be construed as a criticism of Peter Eastway since here in Australia Peter is well known for his surreal take on landscape imaging, not least because he edits a well known magazine here called "Better Photoshop Techniques" where explanation of exactly the sort of editing techniques demonstrated in the article "The Making of the Stirling Ranges" take pride of place. (BTW if one needs help learning about layers in Ps this publication is not a bad place to start.)
My point about landscape photography (and bird and wildlife photography) is that the average viewer and buyer will consider that image to represent a recognizable reality unless otherwide informed. (Some on this forum strongly disagree with this assertion.)
If the finished image does not represent recognizable reality that again is not a criticism of the postprocessing techniques OR the photographers/artists artistic intent.
It can become an ethical issue if one is passing off landscapes as real places when the finished image bears no recognizable relationship to the original image capture.
There is no ethical issue if one is open and honest about one's approach to postprocessing. I have no ethical concerns, for example, with Alain Briot's approach to landscape image production since he very explicit about how the result was obtained.
On a tack completely unrelated to ethics I feel that Alain's assertion that creating completely manufactured landscapes somehow represent the creation of meaningful photographs (his choice of terminology) to be a highly original oxymoron.
BTW this does not mean that I believe in that most ephemeral of concepts - photorealism (another wonderful oxymoron).
In landscape terms a fantasy is just that - a fantasy. Meaningful it is not since it doesn't represent anything meaningful apart from the fevered imagination of the inventer.
'Nuff said
Tony Jay