The 35/3.5 AF is definitely dependent upon your copy. I moved to the 35 D but the difference wasn't huge. My 28 D blows away my 35 D and I'll often shoot with it and crop vs the 35.
Agreed.
The 45 D is an extremely good lens, especially with the P40+.
Agreed, and it's one of the less expensive D lenses.
120 Macro - I doubt that you'll see any significant difference with the D versions at all.
Absolutely agreed. Slightly less chromatic aberration when shooting macro stuff with high contrast detail. The 120 non-D was absolutely stellar and when you improve on a stellar lens it matters a lot less than when you improve on an ok lens.
150/3.5 vs 150/2.8 D is also somewhat of a personal choice. The 150D is razor sharp and is probably one of the best Mamiya lenses. However, many folks like the older 150.
Graham! I'm surprised we disagree about this. Then again, you know how I feel about the 150/2.8. I like the 150/2.8 D as much as any lens on any platform. It's that good in my opinion. If you've been putting down your kit because you aren't impressed by the look compared to an 85/1.2 then I would BEG you to try out the 150/2.8 D; I think it will knock your socks off.
Don't get me wrong, the 150/3.5 is a nice lens, especially for the price you can get it for. But the 150/2.8 is in a league of it's own.
I'd see about renting the new glass and trying them. Only you can compare your current lens copies with the newer more expensive glass. If there's a significant difference for you you'll notice pretty quickly.
Renting from the dealer before hand is the sensible choice here. We let clients come to our studio to do testing for free in our studio, and do rental-towards-purchase if they want to take it with them. We also offer 48 hour returns without any hassle. I'm sure your dealer can arrange something similar.
V-Grip has been a real mixed bag. I think it's because so much of it's usability is an ergonomics issue and that is very personal to each person. We have plenty of customers who tried a V-Grip and just plain did not like it - it didn't fit in their hands and didn't feel balanced to them. We have plenty of other customers who tried it once, fell in love, and now have it permanently attached - as Brian does. For sure, I'd strongly recommend you get your hands on it (literally) if at all possible before buying. You may love it. You may not. Make sure to try it with and without the leather hand strap as I can't stand using it without the hand strap but I know customers who can't stand using it with the hand strap. The built-in Air transmitter is REALLY cool if you have or are thinking about getting Profoto Air strobes (you can also use it with other strobes by using an Air Transceiver on each pack, but of course the most elegant is directly to Profoto Air units - no cables, no batteries, no hassles, just works)
So in summary, please try the 150/2.8 and let us know what you think! If you have time/money try the 45D. Don't get a V-Grip until you've tried it. Don't bother upgrading the 120 unless chromatic aberration is causing you major issues and only upgrade the 35mm if you have time to compare yours to theirs.
Doug Peterson
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