In that Hasselblad sales site, they feature Alec Soth. His 8x10 rocks. I'm trying to find the story that he tells, somewhere on the web, about him taking a cover assignment from the NYTimes, and time was short -- instant turnaround -- so he didn't have time to shoot the camera he knew well and was comfortable with (8x10), so he rented a digital back and a tech, and set off to shoot the job. I think I remember in the story, they had problems with the camera, either it locked up or they simply couldn't figure out how to use it, and in the end, the job was pretty much botched, and his pictures got killed. They ran an illustration on the Cover instead.
Point being: The best camera for the job is the one that you know well, and the that you're comfortable with, whether it be a T2 point and shoot, or film, or a P65 Megalopolis. Your style is your style, and it's a delicate dance to venture outside of that.
Also, oddly, it seems like on that Hasselblad site, they run some Hasselblad images, but also some 8x10 film images, but of course, don't bother to note that some of them are not Hasselblad digital.
Nothing wrong with selling, but there's always a true, real world backstory. Always.
(To their credit, at least they didn't strip in an overly hi-rez image, into the LCD of the camera. We're making progress!)