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Author Topic: Critical Image Evaluation  (Read 5157 times)

jule

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Critical Image Evaluation
« Reply #20 on: September 10, 2005, 10:01:33 pm »

When i first viewed the image, my eye was searching all over the place, with the whole lot of clutter and distractions in the top third of the image, which also was bland in colour. I found this uninteresting and unappealing. The bottom 2/3rds of the image - the reflection - however, I found to be dynamic and representative of the contrasts of both stillness and movement when on the ocean. This is indicated by the wave like reflections of the masts on the water. The abstract shapes are so fluid and intersting. I felt a sense of serenity, yet an awareness of the power of the waves on the ocean, when so much movement can result even with the smallest of seas.

I would centre the image around the red fender and crop out the right accordingly. I would also crop along just below the door heads on the lower deck to remove the clutter on the upper boat.

I wouldn't level the water...., because when the right side is cropped out, only a small amount of water is left, which then does not give any indication that the water line is not horizontal. The boat which is not horizontal, and without the reference of the extended water line, helps create the movement in the image, and is reminiscent of the rocking and swaying inherent on boats - even when moored. I think that making the boat horizontal would make the image more static and solid, rather than creating the feel of being on the sea.

Julie
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Richowens

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Critical Image Evaluation
« Reply #21 on: September 14, 2005, 10:39:33 pm »

There is certainly nothing wrong with that reason for taking the photo. That in itself can say something to someone. Every photo is going to have a different message to different people.

Rich
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dwdallam

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Critical Image Evaluation
« Reply #22 on: September 15, 2005, 04:58:43 am »

Quote
There is certainly nothing wrong with that reason for taking the photo. That in itself can say something to someone. Every photo is going to have a different message to different people.

Rich
Yeah Rich that's pretty much how I see this type of photography. On the other hand, it would be different if I had a series of photos I wanted to do for a specific reason, such as going to civic protests and recording a specific protest message, such as those that advocate some form of Hate or Intolerance. Then of course I would look for opportunities that illustrated that theme.

But I understand what Anthony is getting at. He's being very artistic in his idea behind the motivation of the photo I think. That's a very analytical and learned approach and requires lots of insight and thought.

I wouldn't want to do that for every image, however, but I will for some, that's for sure now that I am now fully aware of it.
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