Actually, the Leonard pictures were already on his website years ago, when I stumbled across his site in the Black & White Mag pages. Frankly, they were as good as these things tend to get. In the end, photography of that type depends much more on the subject than the shooter. Unless you have done it for a living you might not know nor want to believe this - myths are pretty powerfull ju-ju - but it isn't accident that gets the same few girls so much work.
In fact, if you look at model agency site - real ones - you will find that there are basically three dominant types: white, black and brown. Each is subdivided into further categories which, broady, consist of the yellow-haired, and the dark-haired with a rare red thrown in for good measure. Of the whites, you will find that they are increasingly looking like modern copies of Claudia (herself a Bardot clone but bigger); the black are all morphing into Naomi Campbell and the browns are forever approaching (but not reaching) classic Tyra Banks.
I do not, for a moment, suggest that that's how they really are, I am suggesting that if you look long enough you realise that there is a homogenization number being played out. I suspect that this is much the product of post-production where the artist is striving to achieve the respect of his peers by creating from the raw material yet a more embellished rendition of the imagined ideal, which is where we came in, all those years ago.
I suspect My Leonard didn't have, or seek, access to post-production people - that would sort of nullify the point of having the hobby...
All in all, he has nothing there of which to feel ashamed.
Rob C