DR in landscapes is usually defined by the luminosity gap between the ground and the sky. It is easy to do a proper manual tone mapping of these clearly differentiated areas, and this makes IMO tone mapping programs such as Photomatix not only unnecesary but not recommended.
A good book about HDR for me would be that one which explained clearly:
- What DR is and what determines the DR captured by a digital camera
- What are the typical high DR situations the photographer will face
- How to maximize captured DR with a digital camera
- Some approach to manually tone map the high DR captured information
Not even a word about HDR software. So far, I find no HDR program provides results worth looking at (the closest I have found is the exposure blending done by TuFuse, and still manual tone mapping provides better results IMO).
BR
Well, different strokes for different folks. Whatever works for you.
I started shooting slide film and using graduated neutral density filters, then moved to digital capture with manual masking and compositing of separate highlight & shadow exposures. This worked okay, but was often absurdly labor-intensive and not always predictable.
At least in my humble experience, a good HDR capture and tone-mapping workflow can produce really excellent images that are photographs, not illustrations. It permits you to get enough exposure to minimize shadow noise, without the otherwise unavoidable blown-out highlights. For some images like back-lit coastal rocks at sunrise, HDR capture and tone mapping is the only method I can imagine for getting detail in both the bright sky and the shadowed rocks.
There are lots of cartoonish over-processed Photomatix images out there; some folks really like the way they look. Dan Burkholder has a produced a whole book of Photomatix illustrations from post-Katrina New Orleans (
The Color of Loss). But you can also get some really good photographic prints using Photomatix with a bit more restraint. Play with it and see if you like it. HDR capture is now a standard part of my repertoire; for some scenes it works beautifully.