I think Craig's point is valid. "I just wish photographers would stop using 'painters' or 'painting' as a way to legitimize their own medium."
I had the same thought myself when I read the AW article.
Photographers in the first half of the century struggled long and hard to free itself from the perception that it was just the poor stepchild of painting and develop a uniquely photographic aesthetic. Remember F64? Suggesting that imitating painting contains some higher aesthetic purpose for photographers is a very antiquated and long ago discarded idea.
Okay, so I do agree with you guys more after finally reading Art's piece (I didn't know it was live until just a couple minutes ago) but think we can always learn and be inspired from the real painters of yesterday. Anyone can toss a gallon of paint on a canvas and call it art... Anyone can take a picture of a spilled gallon of paint in a parking lot and call it art... That is not my cup of tea. What everyone did over in F64 IS my cup of tea. Sure if I was referring to mod-art/abstract work stuff like what Art has shown as images in the articles then that is totally debatable and I would really agree with your comments and the photographer=painter correlation hands down. Personally, I never found that abstract painting to be anything worth writing home about and don't understand what all the fuss is about... I am open minded however and accept it. Will I purchase a Warhol and hang it over my fireplace? No.
My main goal was to just say that we could learn a lot of art theory from
master painters from way back when. This would entail composition, lighting and so on.
My premise with my original comment was within regards to what I consider real art, that depicts people and places. I do like how he mentioned art theory but totally see where you are coming from in some sense since a lot of it looked like that abstract stuff I mentioned before. The only thing I did appreciate from that article was that he mentioned learning art theory...
Thanks!