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Author Topic: Mule Canyon's "House on fire" ruins in Utah  (Read 10255 times)

Brandon W.

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Mule Canyon's "House on fire" ruins in Utah
« on: March 03, 2009, 09:44:48 am »

Hey everyone, this should be simple enough:  What is the best time of day to shoot the ruins inside Mule Canyon in Utah.  Every shot I have seen does not necessarily look like a sunrise shot, is it just anytime during the morning?  Thanks for any help/experiences!
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camilla

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Mule Canyon's "House on fire" ruins in Utah
« Reply #1 on: March 03, 2009, 09:11:14 pm »

hi
depends on seasoni was there in february and waited along while, until after 1 p.m.
great place though. Worth while!
if you need a guide to get you there let me know. I went with a great guy!
camilla
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Brandon W.

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Mule Canyon's "House on fire" ruins in Utah
« Reply #2 on: March 04, 2009, 09:12:36 am »

Thanks Camilla.
Okay, so it is orientated in such a way that the glow will only appear after noon?  I will be there this weekend, so should I just make sure to get there by 12-12:30 and expect to stay an hour or two?
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francois

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Mule Canyon's "House on fire" ruins in Utah
« Reply #3 on: March 04, 2009, 10:17:59 am »

Quote from: Brandon W.
Thanks Camilla.
Okay, so it is orientated in such a way that the glow will only appear after noon?  I will be there this weekend, so should I just make sure to get there by 12-12:30 and expect to stay an hour or two?
I've been to Mule Canyon just once and it was cloudy and rain was pouring hard, so I won't be able to give you a good suggestion but here's what Laurent Martrès writes:
… The ruins are located under a cliff overhang, which looks like flames under the right light. Best lighting is in mid to late morning to take advantage of reflected light.
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Francois

bill proud

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Mule Canyon's "House on fire" ruins in Utah
« Reply #4 on: March 04, 2009, 11:34:46 am »

Quote from: francois
I've been to Mule Canyon just once and it was cloudy and rain was pouring hard, so I won't be able to give you a good suggestion but here's what Laurent Martrès writes:
… The ruins are located under a cliff overhang, which looks like flames under the right light. Best lighting is in mid to late morning to take advantage of reflected light.


Brandon,

I shot it a number of times, always in the mid to late morning and March is a good month to do it. You can see my rendition on my website.


cheers,

Brandon W.

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Mule Canyon's "House on fire" ruins in Utah
« Reply #5 on: March 05, 2009, 12:03:06 am »

Thanks all,
Bill, I appreciate it, great shot by the way I like how dark you have the ruins themselves.  I liked your comment about moving one way or another and the glow is lost, very interesting.  Your site is great as well, being from the western slope of CO I have an heart for Utah and Arizona, you have really captured it well!  Thanks!
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stephent

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Mule Canyon's "House on fire" ruins in Utah
« Reply #6 on: March 10, 2009, 01:07:31 am »

I can believe that March is a good month. We were there in very early January, and after breaking trail through a foot of snow to get there found that the sun was coming around and illuminating the foreground rocks directly by around 11am (from memory).

I suspect that a higher angle of sun earlier in the day may give a little more bounce up onto the 'roof'.

Stephen

bill proud

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Mule Canyon's "House on fire" ruins in Utah
« Reply #7 on: March 14, 2009, 12:32:47 pm »

Brandon,

Thanks for the compliment. I photographed this ruin four times to get exactly what I wanted. I noticed by moving the tripod just a few feet left or right changed the fire effect dramatically, or so it seemed to me. It was also critical to eliminate any direct sunlight as this dramatically changed the look as well.

I found out later, after my image was used for a magazine cover, that a well known photographer accused me of stealing his shot. That issue brought up to me the idea of whether certain scenes are owned by the first photographer that happened to have made it.

In a second instance I was asked to participate in a group showing and I submitted a small image of the Teardrop at Monument Valley. At the opening another well known photog, who writes a column for Outdoor Photographer, mentioned that David Muench might not like the fact that I submitted his well known image.

I suppose there is no credit for copying another's work but if that is the case then there is really nothing one can photograph that hasn't already been done, at least of the iconic images of the southwest.

cheers,
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