But keep a pragmatic mindset when evaluating your prints under these nearly perfect proofing light sources.
For my very first big digital show, I evaluated the prints under fresh D50 fluorescents and then in indirect sunlight from both north and south facing windows. They looked beautiful! Then when I got them up in the gallery with some tired-out tungsten spots, they looked horribly ruddy! So now I'm careful to look at my proofs not just under my proofing lights but also under the dim tungsten lights in the bathroom, and in the warm-white fluorescent + tungsten + daylight mix in the lounge area. Just walking around your shop or house with your proofs can tell you a lot about how they might look in a client's location.