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Author Topic: Recent Works  (Read 853798 times)

SeanBK

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« Reply #900 on: May 30, 2008, 04:58:25 am »

Quote
It's just a downsampling error, depending on size and screen resolution.

Here is a larger version

[JR
[a href=\"index.php?act=findpost&pid=198919\"][{POST_SNAPBACK}][/a]
James, I really really like the post on the image. Such a brooding with just a lil sparkle. Perfect.
    Just a brief of your post would help, if you can. Thanx
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Murray Fredericks

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« Reply #901 on: May 30, 2008, 08:44:39 am »

Trying to get my 6 year old son interested in photography during the week!

Shot off Bondi, Sydney...


sinar 75lv, Alpa 35mm
« Last Edit: May 30, 2008, 08:51:38 am by Murray Fredericks »
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thsinar

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« Reply #902 on: May 30, 2008, 08:48:39 am »

WOW, Murray!

Great shot.

Thierry

Quote
Trying to get my 6 year old son interested in photography during the week!

Shot off Bondi, Sydney...
sinar 75lv, Alpa 35mm
[a href=\"index.php?act=findpost&pid=198951\"][{POST_SNAPBACK}][/a]
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Thierry Hagenauer
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Frank Doorhof

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« Reply #903 on: May 30, 2008, 12:28:47 pm »

Larger version is much better indeed
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James R Russell

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« Reply #904 on: May 30, 2008, 12:34:29 pm »

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James, I really really like the post on the image. Such a brooding with just a lil sparkle. Perfect.
    Just a brief of your post would help, if you can. Thanx
[a href=\"index.php?act=findpost&pid=198928\"][{POST_SNAPBACK}][/a]


This is just an early select to show the AD where the image can go and this is definatley not in the finished state.

My post on this was about 15 minutes, processing twice in lightroom, once with the curves and sliders really moved around in monotone and another that was standard tame processing to use as an overlay.

In photoshop I worked on about 6 quick layers, moving curves and opacity and blending them.

Once again, this is just a very quick view.

JR
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Snook

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« Reply #905 on: May 30, 2008, 01:01:56 pm »

Quote
This is just an early select to show the AD where the image can go and this is definatley not in the finished state.

My post on this was about 15 minutes, processing twice in lightroom, once with the curves and sliders really moved around in monotone and another that was standard tame processing to use as an overlay.

In photoshop I worked on about 6 quick layers, moving curves and opacity and blending them.

Once again, this is just a very quick view.

JR
[a href=\"index.php?act=findpost&pid=198985\"][{POST_SNAPBACK}][/a]
There are some really cool presets for Lightroom that will get you "sort" of close...
I forgot where I found a bunch of Lightroom presets, but some are really amazing....
Looks great james... Almost a modern Poalo roversi type effect...:+}
He use to get that by a type of solarization (sp)? type effect.
I worked with him a couple of times and also with a guy named Giovanni Gastel who in the ole days shot just 8x10 polaroids also.. and he would get that effect right of the press with the polaroids..:+}
Snook


Snook
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SeanBK

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« Reply #906 on: May 30, 2008, 01:07:56 pm »

Quote
This is just an early select to show the AD where the image can go and this is definatley not in the finished state.

My post on this was about 15 minutes, processing twice in lightroom, once with the curves and sliders really moved around in monotone and another that was standard tame processing to use as an overlay.

In photoshop I worked on about 6 quick layers, moving curves and opacity and blending them.

Once again, this is just a very quick view.

JR
[a href=\"index.php?act=findpost&pid=198985\"][{POST_SNAPBACK}][/a]
Thank you, as always a gentleman & a scholar. Appreciate your time & efforts on this forum.
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ixpressraf

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« Reply #907 on: May 30, 2008, 02:49:10 pm »

Shoot setup from today. Horrible shiny metal  .... shot with mamiya RZ and 132c.
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Dustbak

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« Reply #908 on: May 30, 2008, 03:05:28 pm »

What do I see? Softboxes?    

What am I looking at, some paint mixing machine? How did the endresult turn out?
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ixpressraf

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« Reply #909 on: May 30, 2008, 03:28:33 pm »

Quote
What do I see? Softboxes?     

What am I looking at, some paint mixing machine? How did the endresult turn out?
[a href=\"index.php?act=findpost&pid=199007\"][{POST_SNAPBACK}][/a]

Indeed, for large things on location i use softboxes. In this case only 5 boxes and 8 direct lights; 4 for the background and 4 for effects on the machine.( a packaging machine for medicines 5 meter wide. I already removed the white reflecting screens in front of the machine before taking this picture. Unfortunately i have a very bad back( in my body, not a digital one, a beginning af a hernia) so i will have to be carefull to carry all that stuff arround.
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robert zimmerman

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« Reply #910 on: May 30, 2008, 08:37:24 pm »

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EricWHiss

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« Reply #911 on: May 31, 2008, 01:30:48 am »

Kipling,

Love that shot!

Eric
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haefnerphoto

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« Reply #912 on: May 31, 2008, 03:57:57 pm »

Here's a 58 Corvette shot Tuesday for Corvette Quarterly.  It's part of a several page article, I'll send along more as I get them finished.  Jim

Mamiya 645, P45[attachment=6859:attachment]
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jjj

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« Reply #913 on: May 31, 2008, 04:03:26 pm »

Jim - It looks like a painting.
Very nice as usual.
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MichaelEzra

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« Reply #914 on: May 31, 2008, 04:55:25 pm »

very clean!
was it shot on the same color background or a chroma?


Quote
Here's a 58 Corvette shot Tuesday for Corvette Quarterly.  It's part of a several page article, I'll send along more as I get them finished.  Jim

Mamiya 645, P45[attachment=6859:attachment]
[a href=\"index.php?act=findpost&pid=199141\"][{POST_SNAPBACK}][/a]
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Dustbak

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« Reply #915 on: May 31, 2008, 05:40:15 pm »

Quote
Here's a 58 Corvette shot Tuesday for Corvette Quarterly.  It's part of a several page article, I'll send along more as I get them finished.  Jim

Mamiya 645, P45[attachment=6859:attachment]
[a href=\"index.php?act=findpost&pid=199141\"][{POST_SNAPBACK}][/a]


Gorgeous!
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PdF

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« Reply #916 on: May 31, 2008, 05:46:29 pm »

I didn't know that the industrial pictures are allowed here... java script:emoticon(':D')

Sinarback 23HR with Sinaron digital lenses, 16 shots mode. 8 Broncolor Pulso & Grafit generators with 12 lighting sources.

Stitching mode (& 16 shots) for the biggest.

PdF



[attachment=6860:attachment][attachment=6861:attachment]
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PdF

Kumar

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« Reply #917 on: May 31, 2008, 07:57:37 pm »

Quote
Sinarback 23HR with Sinaron digital lenses, 16 shots mode. 8 Broncolor Pulso & Grafit generators with 12 lighting sources.

Stitching mode (& 16 shots) for the biggest.

PdF
[a href=\"index.php?act=findpost&pid=199159\"][{POST_SNAPBACK}][/a]

Good work! Did you use a MacroScan for stitching? And how do you handle the white shading when stitching?

Cheers,
Kumar
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BobDavid

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« Reply #918 on: June 01, 2008, 12:59:13 pm »

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I didn't know that the industrial pictures are allowed here... java script:emoticon(':D')

Sinarback 23HR with Sinaron digital lenses, 16 shots mode. 8 Broncolor Pulso & Grafit generators with 12 lighting sources.

Stitching mode (& 16 shots) for the biggest.

PdF
[attachment=6860:attachment][attachment=6861:attachment]
[a href=\"index.php?act=findpost&pid=199159\"][{POST_SNAPBACK}][/a]

Excellent work! The 23hr is a great back, very clean files. And, very tricky to work with.
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jimgolden

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« Reply #919 on: June 01, 2008, 04:38:05 pm »

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Here's a 58 Corvette shot Tuesday for Corvette Quarterly.  It's part of a several page article, I'll send along more as I get them finished.  Jim

Mamiya 645, P45[attachment=6859:attachment]
[a href=\"index.php?act=findpost&pid=199141\"][{POST_SNAPBACK}][/a]


WOW thats gorgeous - not much of a vette fan, but a stunning photo...
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