Could you elaborate on the 'delicate issue' you hinted at? How is the z more delicate than the Epson?
My own experience is one of waging war with my Epson 2200 everytime I printed with it -- I spent ~45 minutes getting all the nozzles to fire! My understanding is that the HP z3100, when left powered on as required, will prints an itsy bit all by itself periodically to, perhaps, keep the nozzles clear. How many of you do NOT keep your z's powered 24/7?
Oh, and how many problems are caused by folks never using the one black ink cart because they print on gloss paper only? What is the solution for this? Can one yank the matte-only-black cart?
Wow: is there a solution for the mid-print cart runout? How do you live with this? I think my own scenario would be to use a RIP, and let the printer go at night. Well, maybe not if it does not know it can finish a job with the ink it has. This seems like a BIG limitation to me.
Thom
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The Z3100 keeps you well informed about what carts need to be replaced and what is left in them. The 12 x 130 ml carts will take a while to empty if a long job has to be done. One is the gloss enhancer. Between 9 to 12 ML total per square meter used should print 143 square meter with equal use of the 11 color inks. If there's a dominant color it could drop to a theoretical minimum of 13 square meter, the gloss enhancer cart probably is the limiting factor when printing gloss paper but it will go beyond that 13 square meter in economy mode. The art paper rolls are either 13 or 17 square meter so you would have to exchange a roll as well during the night. With the 11 color ink carts and 130 ML there's not that much difference to a printer that has 6 or 8 carts of 220 ML. The price of the twin packs = 260 ML is equal in ML price to the single 220 ML cart of the Epson. The Epson wastes more in keeping it in condition so that has to be counted too. I have the Z3100 on all the time but as I understand it Neil had it off and there was no problem but the printer then takes some time to get ready.
There's no problem when you use the matte black 99% of the time and you like to print a glossy once a month, it delivers a superb glossy print. I expect that it will be the same the other way around. Do not forget that some matte paper choices will include the gloss black as a darkest grey in a quad formation.
So far I have lost maybe 1.5 square meter of paper in 6 months because I thought it could do that last small print based on what it consumed at the prints before it. With a large print ahead and a cart warning on the screen, one exchanges the cart for a fresh one and writes on the old one what is left in it according to the utility software. With smaller prints ahead or cheap paper you reinsert the old cart and empty them to the chip predicted bottom. Usually there's not more than 3 ML left then according to the weight balance. The carts contain more than the 130 ml and what stays in the cart isn't paid for (in a way). This smaller cart + the pump in it + the cart connector at the bottom avoids an issue that is happening with Epson 220 ML carts and the cart staying in the printer too long: pigment settling and by that fluctuations in the color. Not a problem for printers that work 24/7 but a problem where the printer can be idle for weeks or longer.
If real production has to be made then the larger models like the Z6100, iPF9000 will offer 700 ML carts that last.
Yes, I'm happy with this printer after 8 years of 3 types of Epson wide formats, the Epson 10000 being the best among them. I wouldn't use the term delicate for the Z3100 but the 10000 has an excellent media transport system, the rest is equal or better on the Z3100.
BTW, there's a fade test in the German ColorFoto magazine that confirms the 3x - 2x better light resistance of the Vivera pigment inks compared to Epson K3 and Canon's Lucia pigment inks. A new well specified test standard is used and results for ozone fading included. Ozone fading affects the RC papers image less than the art papers but framing behind glass will eliminate the ozone fading. Archiving prints in albums will eliminate ozone and light fading. If ozone fading is counted in, the 3 ink types get closer to one another and RC paper will be the best choice for the long term. RC paper itself is thought to fall apart in 70 years. It's more complex but the article in the magazine covers it quite well.
Ernst Dinkla
try: [a href=\"http://groups.yahoo.com/group/Wide_Inkjet_Printers/]http://groups.yahoo.com/group/Wide_Inkjet_Printers/[/url]