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Author Topic: A Print Scan from the 'Sixties  (Read 210 times)

Chris Kern

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A Print Scan from the 'Sixties
« on: September 13, 2021, 06:06:24 pm »

With the goal of reducing clutter, I've been scanning some of the prints I made as a teenager in the 1960s.  I had completely forgotten this one of the George Washington Bridge—which connects the town of Fort Lee, New Jersey, with New York City—and, unfortunately, so far I have been unable to locate the negative.

But the scan of the print turned out reasonably well, although it produced the usual surface imperfections.  However, I discovered that enlarging the initial scan with Adobe Lightroom's Super Resolution eliminated many of them (I'm guessing that the machine-learning training set include a significant number of night shots, which "knew" to eliminate noise when it rebuilt the image), and that made it possible for Photoshop's dust and scratches filter to get rid of most of the rest without overly softening the image: the blur you see on the right side of the frame was evident prior to post-processing.  I don't recall now, but I suspect I used a wide aperture when I made the picture in order to capture as much structural detail as possible.

Eric Myrvaagnes

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Re: A Print Scan from the 'Sixties
« Reply #1 on: September 13, 2021, 10:41:27 pm »

I think that worked out well, and worth the effort.
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John R

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Re: A Print Scan from the 'Sixties
« Reply #2 on: September 13, 2021, 11:39:52 pm »

I think that worked out well, and worth the effort.
And I agree. It is fine shot. I like the dark space juxtaposed with the light areas.

JR
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Chris Kern

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Re: A Print Scan from the 'Sixties
« Reply #3 on: September 14, 2021, 07:42:31 am »

I don't know how well this technique for removing surface crud will work on other types of prints or pictures with other subjects; I'll have to do some experiments.  The night scene seems to have helped the neural network "decide" that most of the specs it found on the dark background didn't belong there, so when it rebuilt the image it eliminated most of them, and the matte paper I used to make the print may also have had an effect.  In any event, Photoshop's Dust & Scratches filter easily dispatched the remaining imperfections and I didn't need to do any manual spotting.

I've tried using Super Resolution on scans of 35mm negatives, but it seems mostly to have treated the surface imperfections as image detail and enlarged them.  Of course, those scans were made at much higher resolution, but I think a tranmissive surface also tends to make spots more apparent than a reflective one.

As I've mentioned in another section of this forum, I'm not aware of any technical impediment to using machine learning to allow a neural network to accurately identify and eliminate surface imperfections on any type of image without degrading sharpness.  Possibly the same software could be used to deal more intelligently with digital noise than current methods.  It isn't clear to me whether the economic inducement is there to devote the resources to producing a commercial product, but hopefully somebody is working on it—at least as a proof-of-concept.
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