I can't get into Breaking Bad at all; the main man has no charisma onto which I can latch. Consequently, the series remains started and - for now - abandoned.
Saul I have too, but not yet explored it.
I get a buzz from title sequences, often more than from the main stories themselves. The ones for Sopranos were interesting and made me swear that should I get back to Glasgow, I'll prevail upon my son to drive me around as I snap from the passenger seat. As you know, the French ones, such as Braquo, I found very influential and they spurred me to make my little rainy season shoot at the old power station. Trust me, that took some spurring.
I have long held that people making movies have a more advanced eye than most of us stills shooters, and it shows itself very strongly in nature and travel documentaries where the framing and pure atmosphere is way better than anything I see that's still. I accept that they have the money advantage with choppers etc. but even so, a chopper doesn't pick the light.
Another set of titles I always enjoyed was the CSI Miami lot; great colour for the purpose, and all the women looked great, and unless the blonde with the high-pitched voce spoke, all was well for a few minutes. Didn't much go for the other CSI locations. But I'm sorry, that's slightly off topic; maybe these are too old to suit the suggested theme, but as pointed out in another thread, time is elastic as one ages...
:-)