As a mere hobbyist who prints just to hang in his own home and whose home is lit with highly variable lighting, I find I have to first determine where the print is going to hang and then adjust the print brightness specifically for that location. If you have a dedicated gallery with optimal lighting, well then I envy you.
In terms of calibration, all you need to worry about is a screen to print match. You want a match! You want to edit without a surprise. Unless the print viewing conditions there are off the charts, and, unless you then hang the print in a condition that's off the charts, you'll be fine.
Artists have been making art that is seen in differing conditions for a very, very long time. Only recently, with the advent of displays and prints, where we edit on the display then make the prints, have we heard complaints of 'prints being too dark'. They can be but the issue is a disconnect between display and print. If the display is vastly brighter than a print, the print appears 'too dark' but it may not be.
The best print ever made will look too dark if you light it with a 5watt nightlight bulb. Don't do that!